Pure Sound Warps Time | Revel Performa4 Bookshelf Loudspeaker
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Chad Kassem Tells Us What to Expect at The Vinyl Summit
See How the New HumminGuru NOVA RCM Cleans an LP!
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Pure Audio Project at SouthWest Audio Fest 2026
Dreamscapes A/V at SouthWest Audio Fest 2026

LATEST ADDITIONS

Daedalus, VAC, Lampizator, & WyWires = One Smooth Combo

Show co-creator Lou Hinkley proudly stood alongside his new Daedalus Audio Apollo11 v.3 loudspeaker (starting at $27,500/pair). Variously depicted as "a whole new version" (in the room sheet) and "pretty complete makeover" (by Hinkley at the show) of the Apollo, the 52"-tall speaker boasts a larger midrange and an entirely new array design. "The lower three woofers function more like a point source, and the additional tweeter delivers more stage height and width," Hinkley said.
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Seattle Hi-Fi's Hegel, Lumin, Legacy, and Nordost on the Butcher Block

No, this blog isn't about slaughter. It's about the components in Seattle Hi-Fi of Redmond, WA's room, some of which were displayed on Butcher Block Acoustics shelving.

Nor was there anything about the sound Burt Goodman drew from his system deserving of slaughter. True, the music selections were all standard audiophile fare from previous generations, but the sound was here, now, and excellent. Diana Krall's "Let’s Fall in Love" was bright, lovely, clean, colorful, and fully detailed.

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Audio-Ultra Seduces with Smooth-Talking Taiko, MSB, Constellation, Magico, and Stromtank Gear

What a great way to start a show. I don't know what impelled me to choose my CD of Patricia Barber's Higher, but the combination of Constellation's smooth-talking Pictor line stage with DC blocker ($24,500) and DC filter ($8000) with the company's Centaur II 500 amplifier ($80,000) and Magico S5 MkII loudspeakers ($45,500/pair) was perfect for Barber's cool, no-nonsense presentation. This was one smooth, toned-down, ultra-clean system that all but guaranteed non-fatiguing listening for hours and hours upon end.
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NFS Resurrected at PAF!

Stop the presses! The wittiest of Stereophile's legacy posters, our very own Anton, has returned to the audio show realm. Once again ensconced in his unique NFS room—NFS stands for "Not for Sale"—Anton has rented a penthouse suite at PAF in which to seduce showgoers with mood lighting, a vintage/homebrewed system, and lots and lots of hard brew (as in alcohol).
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The Human Side of the Pacific Audio Fest

Spied in the hallway the night before the show opened was Lou Hinkley, PAF co-organizer (with Gary Gill of the Capital Audio fest). Since Lou also owns/designs WA State-based Daedalus Audio's speakers and will be running that room, who knows what shape he'll be in by end of Day 3. But when I discovered him at 6:30pm, he let on that assisting/troubleshooting/and reassuring exhibitors on the day before was one of the most humbling experiences of his life.
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Re-Tales #23: A pressing matter

Like many fans of music on vinyl, I've grown accustomed to waiting for preordered records. For several years, record-pressing plants have been oversubscribed; there just aren't enough presses to keep up with demand. When vinyl declined in the 1980s—replaced first by cassette tape and then by CD—old presses were abandoned, falling to rust and disrepair before the vinyl revival, leaving the industry with limited capacity.
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