Graham Nash CES 2016

Many of you have seen the posts about Graham Nash touring the high end audio exhibits at CES earlier this month. The experience taught me this: it isn't how good you hear, but how well you listen.

I'm not sure what readers expected from this, and I certainly wasn't sure what to expect, which is why it was an attractive idea. Yes Nash ended up liking what he heard, but for those cynical enough to think he was just being polite, I'm here to tell you first hand that he was excited by the experience, and his enthusiasm was genuine.

The day was getting long at this point and we'd already listened to a couple hour's worth of music, but we wanted a little variety from the floor-standing speakers we had heard to far. So we popped into the Crystal Cable/Siltech room to hear This Path Tonight on a dimensionally smaller system.

We had spent the morning and early afternoon listening to systems in the big suites, and now it was time to downscale the room size and budget just a bit. I promised Graham Nash that we would try to mix up the types of products he heard, so we headed down to Devore Fidelity on the 30th floor of the Venetian.

Though not a listening stop, we had to say hello to the guys from Mobile Fidelity including (L-R in the photo above) Rob Loverde, Shawn Britton and Jonathan Derda. Turns out Shawn has mastered some of Graham's work, so they immediately set to talking about the new album and the possibility of MoFi getting their hands on it.

Graham Nash seemed to know right away that these were the guys that provided the guts for his buddy Neil Young's Pono player and wanted to know all about it. After all, there is a version with Nash's signature on it.

We were clearly off to a good start, so I was wondering what Graham Nash's reaction would be to an all out audiophile assault.

I explained to Nash that the Vivid speakers and Luxman system we just heard were relatively compact, by audiophile standards (though by no means modest), and that the next room would be more typical of the cost-no-object approach. Judged by Graham's "impact of the music" criteria, would bigger necessarily be better, or might it detract from the musical intent he was looking for?

After a quick mid-morning breakfast with Graham Nash that included AudioStream.com's Michael Lavorgna, we headed up to the top floor of the Mirage hotel to start our day at Philip O'Hanlon's On a Higher Note suite.

Before we walked into the room, Nash gave me a serious look and explained "What I'm looking for is that the intent of my message, the impact of the song, is communicated intact. This is the first time I've heard these songs outside of the studio, so this should be very interesting. I'm looking forward to this."