HE 2007

"That's an impressive soundstage for a two-way monitor," I thought looking at the diminutive Confidence C1 loudspeaker, but hearing a wide, deep soundstage. Dynaudio's 25 lb pound, two-way ($7000/pair plus $450/pair for two) features a 7" woofer and the Danish company's acclaimed Esotar2, 28mm, soft-dome tweeter. The drivers are mounted on a baffle that is said to be decoupled from the cabinet. Dynamic range was superb driven by Simaudio Moon W-7M monoblocks, thought JA, who thought that this system's reproduction of Stereophile's new Attention Screen CD was one of the best he heard at the Show.

The Pathos InPower monoblock amplifier ($13,500/pair) is a hybrid design offering 80W (at 0.4% THD, 5Hz–60kHz, ±3dB. It features some of the most beautiful industrial design I saw at the show. Designer Gianni Borinato describes it as a balanced, double INPOL power amplifier, with a zero-feedback, hand-matched. MOSFET output stage biased to run in class-A. The point-to-point wiring uses silver wire. Two triode tubes in the input stage are wired in opposite phase to form a double triode that is claimed to minimize distortion. The design proved its merit by driving the Focal 1037 Be loudspeakers with speed, dynamics, and excellent imaging. The room was a favorite among the Stereophile writers at the Show.

Krell Industries' new Modulare Duo loudspeaker system was the one active exhibit in their suite, playing music from an excellent sampler of audiophile favorites. Todd Eichenbaum, shown standing next to the $35,000/pair, 300 lb system, explained that the separate woofer and satellite units were made of machined billet aluminum, as with Krell's original LAT-1 speaker system, but the Modulare’s drivers and passive crossover circuitry have been designed for higher current handling. The low-frequency cabinet contains three 8" aluminum-cone woofers, while the satellite section marries a 1" ScanSpeak ring-radiator tweeter, and a 6.5" aluminum-cone midrange driver.

I always seek out Wilson Audio's room at the HE shows. Is it because Wilson always gets great sound? It does—but, as the big dog on the block, they probably don't have to attend. The company supports the high-end community, not just by showing up, but by sending Peter McGrath and his fabulous recordings.

Balanced Audio Technology's Geoff Poor pats the fevered brow of the REX reference preamplifier ($18,500). With 18 tubes, no wonder it has a fever!

Larry Greenhill has already blogged about how good the Escalante Fremonts sounded in the Sound By Singer room Escalante shared with VTL. They did a disappearing act that would have done David Blaine proud. I was so impressed, I came back for a second visit and came away even more impressed—not just with the Fremonts, but with the VTL/dCS system that enabled them to sing like they did.

That's pronounced sheeYEUfn (like that helps) and it's from Norse mythology—Sjöfn inspired passion through her singing. Guru Pro Audio head of R & D, Ingvar Öhman is clearly passionate about his loudspeaker, which he likened to "VWs that perform like Ferraris." The Gurus($1800/pair) are small, designed to be placed near the room boundaries, and were pretty impressive.