News

Krell restructures S&M: Dean Roumanis, Krell's Chief Operating Officer, announced March 14 that the company had restructured its sales and marketing department to "enable [Krell] to continue to grow our business by maximizing the skills of our personnel."

The Canadian Recording Industry Association (CRIA) commissioned a new 144-page report of radio and consumer survey results, based on data collected between February 17 and 22 by Pollara, Inc. in 1229 telephone interviews with respondents above the age of 13. The purpose of the study was to collect data that the CRIA could submit to the Canadian Radio-Television and Telecommunication Commission's (CTRC) Commercial">http://www.crtc.gc.ca/archive/ENG/Hearings/2006/n2006-1.htm">Commercial Radio Review. (For those interested in reading all 144 pages, click herehttp://support.crtc.gc.ca/applicant/docs.aspx?pn_ph_no=2006-1&call_id=2…; and download "Appendix A.")

Stereophile's senior contributing editor, Michael Fremer, and the magazine's editor at large, Art Dudley, are both giving presentations this spring at Cornell University in Ithaca, NY. Michael appears on Tuesday, March 28, followed two weeks later, on April 11, by Art Dudley.

Audica MPS-1: Audicahttp://www.audica.co.uk/">Audica;, the Cambridge, UK–based manufacturer founded by Kieron Dunk (formerly of Mission, Denon, Cyrus, Infinity, and Klipsch, to name but a few) is finally shipping its stylish MPS-1 desktop audio system ($400). The MPS-1 consists of two diminutive extruded aluminum loudspeakers and a 25Wpc amplifier/control center with three 3.5mm inputs (one high sensitivity for portables and other low-output sources; the others with lower sensitivity and higher input impedence). The MPS-1 control center also has USB and FireWire connections to facilitate recharging portable players' batteries.

As anyone who reads this website is all too aware, these days legislative matters increasingly encroach upon audiophiles' ability to experience uncompromised high fidelity. Like it or not, political decisions can and do have an impact on what we listen to and how we are able to manipulate our music after we have purchased it.