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Build the audiophile kingdom and they will come . . . or do we need to get out there and proselytize? In "Fine">http://www.stereophile.com//finetunes/233/">"Fine Tunes" #22, Jonathan Scull looks at the debate both ways and comes to a conclusion.

Jonathan Scull stuffs as many "relatively inexpensive" building tweaks as he can fit into "Fine">http://www.stereophile.com//finetunes/230/">"Fine Tunes" #21. Find out about basic room and electrical treatments on the relative cheap.

In an effort to smooth the way for websites that wish to legally reproduce copyrighted music, BMIhttp://www.bmi.com">BMI; announced last week that it has now become the world's largest online digital rights management company with the launch of its Digital Licensing Center (DLC) and "Klick-Thru" online copyright licensing system. The company says that the DLC is intended to help Internet companies digitally obtain a music-performance license through BMI.com, allowing them to publicly "perform" any of BMI's 4.5 million copyrighted works from its 250,000 songwriters, composers, and music publishers.

The gold rush is on in the wake of a Federal">http://www.ftc.gov/">Federal Trade Commission decision effectively ending the music industry's policy of minimum advertised pricing (MAP) on compact discs. Attorneys in California and New York wasted no time in filing class-action lawsuits against the music industry's major conglomerates, following the FTC's">http://www.stereophile.com/news/10744/">FTC's announcement May 10 that it had reached a negotiated settlement with them over a longstanding noncompetitive pricing policy.

The Consumer">http://www.ce.org">Consumer Electronics Association (CEA) reports that factory-to-dealer sales of audio products soared in March, with dollar volume increasing by 14% over March 1999, to a total of more than $721 million. According to the CEA, sales in the first quarter of this year were 10% ahead of first-quarter 1999, at approximately $1.75 billion.

Retail prices of compact discs are likely to drop in the coming months, thanks to a Federal">http://www.ftc.gov/">Federal Trade Commission action ending an industry-wide price-support policy begun five years ago. On May 10, the FTC announced that it had reached an agreement with the "Big Five" of the music business—Time Warner Inc.'s Warner Music, Seagram Ltd.'s Universal Music, Sony Music Entertainment, BMG Entertainment, and EMI Group PLC—that will effectively end the practice of "minimum advertised pricing" (MAP) instituted as a response to music-retailing price wars in the mid-1990s. Under MAP, retailers were forbidden to advertise CDs below an established minimum, at the risk of losing millions of promotional dollars from the record labels.

With their simple circuits and low, even zero, levels of loop negative feedback, the sound quality of single-ended triode amplifiers is very dependent on the specific output tubes used. In "In">http://www.stereophile.com//features/229/">In Search of the Perfect 300B Tube," Peter van Willenswaard finds that not all tubes are created equal. Measured and auditioned in his survey of 300B power tubes are samples from Golden Dragon, JJ Electronics, KR Enterprise, Sovtek, Svetlana, Valve Art, and Western Electric. "If you want the best," sums up Mr. W, "there's only the . . . "—well, you'll have to read the article to find out!