Recording of the Month

Mozart: Horn Concertos
Alec Frank-Gemmill, B-flat horn; Swedish Chamber Orchestra, Nicholas McGegan, cond.
BIS-2635 (reviewed in native 24/96). 2024. Thore Brinkmann, prod.; Brinkmann, Håkan Ekman, engs.
Performance *****
Sonics ****½

When I recollect the soundtrack to my acid-tinged summer of 1967, several LPs stand out: The Beatles' Sgt. Pepper's you-know-what, The Rolling Stones' Their Satanic Majesties, Richie Havens's Mixed Bag, and Dennis Brain's equally famed recording of the Mozart Horn Concertos, with the Philharmonia Orchestra conducted by Herbert von Karajan. Though all of them sounded potent and execrable, in equal parts, through our starving–ex-student record players, neither the Mozart's monophonic provenance nor the too-distant sound of Brain's horn could diminish the joy it brought me...

How wonderful it is to revisit these tuneful, often jolly concertos played by a superb horn virtuoso, Alec Frank-Gemill, backed by the Swedish Chamber Orchestra conducted by one of the world's most distinguished period-practice authorities, Nicholas McGegan.

Elvis Costello: King of America & Other Realms
UMG 602488514378 (6 CDs). 2024. Costello and Henry "T Bone" Burnett, original album prod., Costello, Steve Berkowitz, reissue prods.; William Berry Jackson, David Dominguez, Larry Hirsch, Mark Linett, others, engs.
Performance ****½
Sonics ****

By the mid-1980s, Elvis Costello was in dire need of a change in musical direction. As he recounts in the extensive new liner notes, he was "playing in a band that suddenly sounded like four strangers." Seeking inspiration, he decided the path forward was to use his own name, Declan MacManus, in the credits and to indulge his love and respect for American music.

Mari Kodama: Bruckner Piano Works
Mari Kodama, piano
Pentatone PTC 5187 224 (reviewed as 24/192 WAV, also CD). 2024. Erdo Groot, prod., eng.; Shunsuke Yokoyama, piano technician.
Performance *****
Sonics ****½

Music history, like all human history, is filled with nooks and crannies—digressions from the main course of events. Take Anton Bruckner for example. The global concert hall calendars are filled with performances of his symphonies and some of his choral works. New recordings of these pieces are frequently released. How many of you have ever heard a performance, or recording, of any piece for solo piano by Bruckner?

Miguel Zenón: Golden City
Zenón, alto saxophone; eight others
Miel Music MZ10 (CD). 2024. Zenón, prod.; Ryan Streber, eng.
Performance ****½
Sonics ****½

In the current, not-so-new millennium, there have been very few jazz musicians more decorated than Miguel Zenón. Among the many accolades he has received are Grammy awards and nominations, a Guggenheim Fellowship, and a MacArthur Fellowship (known as the "Genius Grant"). He has lived at or near the top of the major jazz polls for years on his instrument, the alto saxophone.

Jerome Sabbagh: Heart
Sabbagh, tenor saxophone; Joe Martin, bass; Al Foster, drums
Analog Tone Factory ATF 001 (LP). 2024. Jerome Sabbagh, Pete Rende, prods.; James Farber, Pete Rende, Aki Nishimura, Ben Miller, Bernie Grundman, engs.
Performance ****
Sonics *****

It's rare for an artist to win Recording of the Month honors for consecutive albums released within a few months of each other, and frankly, I don't feel great about it. But I cannot pass over Heart, the latest album from Jerome Sabbagh, which he recorded in a distinguished trio with Joe Martin on bass and the legendary Al Foster on drums.

Danny Elfman: Percussion Concerto, Wunderkammer
Colin Currie, percussion; Royal Liverpool Philharmonic Orchestra, JoAnn Falletta, cond.
Sony Classical 906443 (reviewed as 24/96 WAV). 2024. Danny Elfman, prod.; Peter Cobbin, Kirsty Whalley, Dennis Sands, Patricia Sullivan, engs.
Performance ****½
Sonics ****

It's time to go out on a limb. Are Danny Elfman's Percussion Concerto and the other works on his new album "great music"? Should this classical music, from the former lead singer and songwriter of new wave band Oingo Boingo—who composed film scores for Pee-Wee's Big Adventure, Beetlejuice, and Spider-Man, and whose music introduces Desperate Housewives and The Simpsons—be in the same conversation with Albéniz, Scriabin, Ligeti, Glass, Gluck, Brahms, and Beethoven, whose work appears on our other Recording of the Month candidate, Yuja Wang's Vienna Recital?

Cannonball Adderley: Somethin' Else
Julian "Cannonball" Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)
Mobile Fidelity UD15 2-022 (2 45rpm "Ultradisc One-Step" LPs). 2024. Alfred Lion, prod.; Rudy Van Gelder, eng.; Krieg Wunderlich, Shawn R. Britton, mastering engs.
Performance *****
Sonics *****

For those who care about sonics, the current wave of expensive 45rpm vinyl reissues has made one question urgently relevant: Does convenience trump better sound? Put differently, does the ease of not getting up every 10 minutes to turn over or replace the record offset improved sound quality? It's settled science that a higher rotational speed can result in a better frequency range, better stereo imaging, less frequency fluctuation, and increased low-end response—if a record is well-pressed.