HD-Audio Heats Up
What initially took form in college dorm rooms and computer geeks' homes only a few short years back looks ready to break into the mainstream audio market this year. Hard-disk–based audio systems are becoming more common as both consumer electronics and computer manufacturers rush to bring">http://www.stereophile.com/news/11185/">bring products to market.
HDCD Spreads Further into the Audio Kingdom
HDCD and Pacific">http://www.hdcd.com">Pacific Microsonics appear to be on a roll these days. The HDCD process, developed to coerce 20-bit performance out of the 16-bit CD format, is gaining several new licensees and is also appearing in more devices, as evidenced by several recent announcements. The company is also looking ahead to future DVD formats with an agreement intended to couple HDCD benefits with higher sampling rates.
HDTracks + ABKCO Release Hi-Rez Downloads of The Rolling Stones
Courtesy of ABKCO Music & Records, Inc.
The tides of the digital audio industry are turning as hi-rez audio downloads are pushed further into the mainstream. On March 2, 2011, HDTracks welcome ABCKO's Remastered Series of the Rolling Stones to their catalog, available at 176kHz/24bit and 88kHz/24bit.
HE 2001 Seminar Schedule Set
Consumers attending the Home Entertainment 2001 Show in NYC, May 11–13, 2001, will have a unique opportunity to speak with and learn from the home entertainment industry's leading experts. As part of the three-day audio and video extravaganza, the Show will offer educational seminars and panel discussions—included with the admission ticket price on a first come, first served basis. This is a rare opportunity for consumers to meet with legendary industry journalists, manufacturers, dealers, and others.
HE 2001: "Analog Ballroom" Will Feature Display and Auction
Analog playback equipment, the high art of 20th century audio, will be the theme of the "Analog Ballroom" in the Regent Parlor on the 2nd Floor of the New York Hilton during Home">http://www.homeentertainment-expo.com/">Home Entertainment 2001.
HE 2001: Many Paths to Sonic Bliss
The packed house that was Home Entertainment Expo 2001 on Saturday thinned to a manageable level on Sunday the 13th, allowing most of the Stereophile crew ample opportunity to visit all the displays they had missed the previous two days. Toward the 6 o'clock closing time folks were still wandering the halls, and talking amicably and enthusiastically with friends they see once or twice a year. There is always a great deal of continuity in these shows, not only in the products, but also in the people.
HE 2002 Live
Home">http://www.homeentertainment-expo.com">Home Entertainment 2002 is set to open to the public as planned, May 31–June 2, 2002, at the Hilton New York & Towers Hotel in New York City. Show attendees will be treated to numerous free educational seminars and musical performances from a dozen popular jazz, classical, and contemporary recording artists.
HE 2002: Day One
HE 2002's first day was filled with press conferences, but none was more widely anticipated than Sony's. The pre-conference chatter was filled with insiders insisting they positively knew for a fact that Sony was confirming last week's rumor that Universal and Sony were discontinuing CD manufacture in favor of dual-layer SACDs—and also by insiders who insisted it was simply a rumor.
HE 2002: Day Three
If you think the name Viola Audio Laboratories sounds familiar, wait 'til you hear the names behind it: Tom Colangelo, Paul Jayson, and Tony DiSalvo—all former officers at Cello. Viola, working out of Cello's former New Haven facilities, is now producing a complete line of electronics, from the $18,000 modular Spiritu preamp to the $12,000 Bravo Double Set monoblock amplifier. The company also manufactures audio cables and a modular loudspeaker, the $18,000/pair Allegro, as well as an $18,000 subwoofer, the Basso. The system certainly is elegant-looking, and it sounded impressively coherent in a small hotel room—and that was with both the Allegro's bass module and subwoofer disconnected!
HE 2002: Day Two
Wandering around the show, we were struck by how good most of the speakers we were hearing were. Not just the cost-no-logic designs, but pretty much all of them. Are we audiophiles lucky or what?