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An essay with the unassuming title of "Thoughts">http://www.apple.com/hotnews/thoughtsonmusic/">"Thoughts on Music" has certainly caused a furor over the last week. Of course, it didn't hurt that it was written by Apple's Steve Jobs or that he stated absolutely that digital rights management copy restriction systems "haven't worked, and may never work, to halt music piracy."

As HREF="we">http://www.stereophile.com/news/100807jammie/">we reported almost a year ago, US District Court Judge Michael Davis awarded record labels $220,000 in damages for Jammie Thomas' having posted digital files to the KaZaa peer-to-peer site. To date, that has been the RIAA's sole victory in its prosecution of file sharers and it hinged upon an instruction Judge Davis gave the jury, specifically Jury Instruction 15, which said that Capitol Records did not have to prove anybody downloaded the songs, only that Thomas had posted them. This is known as the "making available" argument and was vigorously opposed by Thomas' lawyer.

When John Atkinson reviewed the Benchmark DAC1 USB digital/analog processor (watch for it in the January 2008 Stereophile), his test results raised some eyebrows at Benchmark. You'll have to read the review to discover what, but suffice it to say that Benchmark did some testing of their own and wrote us an interesting alert.

Writing 30 years ago, in the November, 1971 issue, J. Gordon Holt tried to anticipate the cries of Sellout">http://www.stereophile.com//asweseeit/483/">Sellout!? as Stereophile began taking its first ads from dealers. Holt wrote, "Before you throw your hands up in horror . . . bear with us for another couple of paragraphs while we explain why this decision on our part need not prompt you to cancel your subscription immediately."

Not only does the April 2018 Stereophile feature our new "Recommended Components" listing, updated and revised (p.47), featured on the cover and reviewed inside is Bel Canto's Black ACI 600. This is a revolutionary kind of all-in-one product, a network-connected integrated amplifier that accepts both digital and analog inputs, including phono. Turn to p.110 to see what we think of it.

According to a new comparison of online music business models and companies prepared by Red">http://www.redherring.com/research">Red Herring Research, Napster simply cannot exist without the complete consent of the recording industry, and the company's recent attempts to appease the copyright infringement concerns of the industry have so far failed. The study also finds it highly unlikely that the company's peer-to-peer model will find success, given the history of its relationship with the recording industry, its declining membership, and impending competition from services like MusicNet and Duet.

Our 180-page April issue is hitting newsstands, mailboxes, and tablets this week and, as always with Stereophile's April issues, it includes the revised and updated edition of our "Recommended Components" feature—capsule reviews of the best-sounding gear available. And featured on the April issue's cover is Klipsch's RP-600M speaker, which features a horn-loaded tweeter. Read Herb Reichert's report to see how he felt about this little gem...