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It began with an email from reader Ed Hoffman. "I was looking for a Pass Labs dealer and found out that Pass Labs has dumped all of their dealers around the country. Do you have any information about what is going on?"

The legal molasses in which MP3.comhttp://www.mp3.com/">MP3.com; is mired got thicker and deeper in mid-March, when MPL Communications launched a lawsuit against the Internet music company. MPL, ex-Beatle Paul McCartney's publishing house, joined the attack begun months ago by the Recording">http://www.riaa.com/">Recording Industries Association of America. McCartney's firm filed suit in a New York US District Court against the San Diego–based startup over copyrights on intellectual properties owned by MPL, whose catalog includes McCartney's solo work, as well as the works of Buddy Holly, Hoagy Carmichael, Sammy Cahn, and other songwriters and performers. MPL was joined in the suit by Peer International, which owns the work of the late Latina star Selena.

We have just learned that Paul Nelson, an influential music writer and talent scout for Mercury Records, was found dead in his New York City apartment last week. The cause of death was not reported.

Paul Wilbur Klipsch, legendary inventor and engineer from America's "golden age of audio," died May 5. The founder of Klipsch">http://www.klipsch.com">Klipsch Audio Technologies was 98.

Hilary Rosen, president and CEO of the Recording">http://www.riaa.com">Recording Industry Association of America (RIAA), must feel like Sisyphus playing an endless game of "Whack-A-Mole.&quot">http://www.xvt.com/users/kevink/mole/">Whack-A-Mole." Her job recently has been to patrol the digital world for music copyright violators, especially those pesky pirate MP3 websites on the Internet. It seems that each time they find and eradicate a horde of copyright violators, hundreds more pop up faster than you can say "information wants to be free."

Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A US">http://www.loc.gov/copyright/">US Copyright Office panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.

It only makes sense. PBShttp://www.pbs.org">PBS;, the most visible national broadcaster of classical-music-related programs, has decided to launch its own classical-music label. According to a recent story in Variety, several major record labels are competing for the rights to distribute the new label. It's common in the music business for larger labels to distribute smaller ones, and an association with the new PBS label is seen as a feather in the cap of whoever makes the deal.