News

We are saddened to learn of the passing of inventor and audio entrepreneur Ray Dolby. Other sites have published full obituaries; I'd like simply to offer my memory of interviewing Ray back in the spring of 1977 for the English magazine Hi-Fi News, when Dolby Laboratories were trying to get the BBC interested in using Dolby noise reduction in FM broadcasting. Despite my being a neophyte audio writer, I was treated with courtesy and respect by a man who had forgotten more about audio engineering than I knew.

Ray Samuels Audio, long well-regarded for its tube-based home audio components, is developing a reputation for its portable designs, too. After reviewing the SR-71http://stereophile.com/headphones/905ray/">SR-71;, I figured Samuels couldn't make things any smaller.

The fourth round of RCA Red Seal Living Stereo hybrid SACD/CDs hit the literal and virtual shelves on February 7. [Kalman Rubinson wrote about the first batch here.—Ed.http://www.stereophile.com/musicintheround/1104mitr/">here.—E…;] Remastered from the original two- and three-channel master tapes using the DSD process, these 10 new SACDs present the material exactly as it was recorded, without equalization, filtering, or other tampering.

Hard as it is to believe, next year will be the 40th anniversary of Stereophile's famed "Recommended Components" feature. J. Gordon Holt first set the list to paper when the Beatles were first breaking big in the US, and its April and October appearances have stood as biannual audiophile institutions ever since.

As I explain in the current issue's "As We See It" column, I decide on the ratings of the equipment featured in Stereophile's "Recommended Components" listing after consultation with the reviewers, taking into account the original review comments and, sometimes, my own experience.

Collectors will go to to any lengths to track down the objects of their obsession. Record collectors, a particularly extreme species, are known for their incredible attention to detail and their astounding capacity for absorbing vast quantities of minutiae.

The music goes round and round: An investment group led by former Universal Music chief Edgar Bronfman, Jr. is in the lead to acquire Warner Music Group (WMG) and Warner/Chappell Music Publishing from corporate parent Time Warner, according to reports issued the third week of November. Bronfman's group—a consortium of banks and venture capital firms—has offered $2.8 billion for Time Warner's musical properties, possibly forcing prior suitor EMI Group PLC to drop out of the bidding. On Thursday, November 20, EMI chairman Eric Nicoll told reporters that Time Warner had informed his company of "a possible proposal from another party as an alternative to our own firm offer."