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Universal, BMG Embrace "Advanced Audio Coding" for Downloads

An improved digital-audio compression standard has been adopted by the Bertelsmann">http://www.bmg.com/">Bertelsmann Music Group (BMG) and the Universal">http://www.umusic.com/">Universal Music Group for commercial music downloads. "Advanced Audio Coding" (AAC) is said to offer higher audio quality while occupying 30% less bandwidth and storage space than the popular MP3 format, according to an announcement from San Francisco–based Dolby">http://www.dolby.com/">Dolby Laboratories.

University Expansion in Chicago Sparks Protest by Bluesman

Chicago's Maxwell Street district is considered by many to be the birthplace of Chicago blues. But the old neighborhood is in danger of permanently losing some of its historic buildings, thanks to expansion plans by the University">http://www.uic.edu/">University of Illinois at Chicago. The potential loss of the neighborhood has sparked protests by a coalition of blues musicians, including a hunger strike by 69-year-old APO">http://www.acousticsounds.com/">APO Records artist Jimmie Lee Robinson.

Up, Down, Up, Down

It's been a roller coaster ride for satellite radio upstarts Sirius">http://www.siriusradio.com">Sirius Radio and XM">http://www.xmradio.com">XM Radio this past week as both companies fortunes shifted yet again. In a classic billion-dollar consumer electronics gamble, Sirius and XM are betting that they can reach critical mass by selling enough specially equiped digital radio receivers through car manufacturers while simultaneously signing up enough subscribers to reach profitability.

Updating Two Classics

Audiophiles of a certain age may very well have first tasted high-end sound by way of Linn's 1972 Sondek">http://www.stereophile.com/turntables/1103linn/">Sondek LP12 turntable and/or Naim's 1982 Nait">http://www.stereophile.com/integratedamps/660/">Nait integrated amplifier. There aren't many audio manufacturers that have managed to keep components in production for 25 years (35 for the Linn), but the two venerable British designs have been continuously upgraded over their lives, keeping them competitive.

Upper East Side Fringe: The Show at Lyric

Stephen Mejias: On Thursday, April 12, Stereophile’s editorial assistant, Ariel Bitran, and I left the office at around 5pm, walked over to Grand Central, hopped on the 6 train, and made our way to New York City’s Lyric Hi-Fi.

As Ariel discussed last week, Lyric was one of two premier NYC dealers&#151the other was Stereo Exchange&#151that opted against participating in the New York Audio & AV Show, and instead held their own events.

Because both Lyric and Stereo Exchange are successful operations, run by smart people, we figured they must have good reasons for doing things their own way. But, even as the weekend approached, those reasons weren’t fully clear. Were financial obstacles impossible to overcome? Were issues of logistics too much of a burden? Had there been some sort of communication breakdown between the dealers and the show’s organizers? Did it simply make little sense for Lyric and Stereo Exchange to participate, or were they just being hard-nosed, stubborn, elitist?

Perhaps we would find some answers inside.

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