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Two weeks shy of the Ides of March, Cary Audio has announced its transition from an all-dealer sales model to a direct-to-consumer web store in the U.S. it calls "CaryDirect." But rather than leaving its brick'n'mortar US dealers in the dust, the North Carolina-based company says it has assimilated them into a rather novel hybrid business model.

All photographs: Thomas R. Horrall

Hosted by Stereophile's John Marks, on Saturday February 4, the Connecticut Audio Society and the Boston Audio Society held a joint meeting in Providence, Rhode Island at The First Baptist Church in America. The Third Meeting House of the Church (1774–1775) is a US National Historical Landmark. The Auditorium retains almost all of its original 1775-vintage horsehair plaster, which contributes to its excellent acoustics.

The event was a Workshop on "Making Good Recordings in a Church." Those so interested were invited to bring their own recording gear to the Church; the 48 attendees brought everything from shirt-pocket recorders to imposing surround-sound arrays. Before the formal start of the workshop, those in attendance were invited to participate in a Mid-Side Microphone Technique "Petting Zoo." Minister of Music Stephen T. Martorella, featured in the opening photo, played a Scriabin Prelude on a Steinway grand piano as a sound source.

I certainly am no stranger to the idea that a "student" orchestra can turn in a performance undeniably superior to those offered by many "professional" orchestras. After all, my favorite commercial recording of Mahler's Symphony 6 is by the orchestra of The Manhattan School of Music, conducted by Glenn Cortese.

But what a special treat it was to hear Daniel Barenboim conduct the orchestra he founded with Edward Said in Weimar in 1999, the West-Eastern Divan Orchestra, in a program of Beethoven's Second and Third ("Eroica") Symphonies at Providence's Veterans Memorial Auditorium on January 26. The concert was presented by the Cogut Center for the Humanities at Brown University. The communication between the conductor and the orchestra members, who obviously revere him, was a wonder to behold. Further, when the carefully-nurtured dynamics finally opened all the way up, the near-stunning sound was a rapturous feast of tactile tonal richness.

My advice: If you live in Big Apple-Land, do whatever it takes to hear Maestro Barenboim leading his young charges in all the Beethoven Symphonies at Carnegie Hall, January 30 to February 3.

We were surprised to readhttp://www.boston.com/news/globe/living/articles/2007/03/23/i_heard_it_…; in the March 23 Boston Globe that CBS Corp. had re-launched the CBS">http://www.cbsrecords.com/">CBS Records label. Our memory isn't what it once was, but hadn't we read that same story last December?

It's a brave new music world.

They have become the companies music fans around the world love to hate. But to their stockholders, the businesses developing CD-restriction technologies are a promising new technology niche for investing. SunnCommhttp://www.sunncomm.com">SunnComm; is one of these new companies dedicated to finding means to restrict the ways consumers can use compact discs, and last week they used their annual stockholder meeting as an opportunity to announce their latest copy-protection product.

In late February, many California music fans discovered in their mail a one-page form letter from the state's attorney general, Bill Lockyer, announcing that he was "pleased to enclose payment for your claim in the settlement of the Compact Disc Minimum Advertised Price Antitrust Litigation." Attached to the bottom of the form letter was a tear-off check made out to the aggrieved music fan from "CD MAP Antitrust Litigation" in Faribault, MN.