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Now on Newsstands: Stereophile Vol.37 No.7

Joseph Audio’s immaculate Perspective loudspeaker is featured on the July issue’s cover and is treated to an in-depth review from John Atkinson. Revel’s superb Performa F208 tower speaker is also featured this month, along with the Classic reissue of Phase Technology’s best-selling PC-60 bookshelf. Art Dudley tries out the sound of DSD files with Luxman’s DA-06 processor, while radically different, ididosyncratic amplifiers from Miyajima in Japan and LFD in England are put under the aural spotlight.

Now on Newsstands: The 2012 Stereophile Buyer’s Guide

Revised for 2012, the Stereophile Buyer’s Guide is now on newsstands. In its 188 pages, you’ll find the complete specs and prices for over 4500 audio components&#151everything from turntables, tonearms, and cartridges to amplification, digital components, loudspeakers, headphones, and cables. The Guide also includes an index to manufacturers on the Web to help you locate the products you’re most interested in.

Numbers Don't Lie?

As the saying goes, there are lies, damn lies, and then there are statistics. Statistics can be used to help understand what goes on in the world, but, as any marketing exec or PR company knows, they can also be manipulated to tell a particular story.

Octave Unveils the Jubilee Class A Mono Amplifier

Octave Audio of Karlsbad, Germany, a longtime manufacturer of tube electronics, presented the North American debut of its new Octave Jubilee Class A mono amplifier ($85,000/pair) at Definitive Audio, Bellevue (across the lake from Seattle) on January 29. The first stop in a three-city US tour by Andreas Hofmann, company president and designer, and John Quick, VP Sales & Marketing for Octave's US distributor, Dynaudio North America, the multi-day event included two back-to-back sessions followed by open houses.

Octave's Jubilee Mono SE Amplifier and Jubilee Preamplifier

Because I'm currently reviewing Octave's Mono SE amplifier ($80,000/pair), I was eager to hear these large tubed monoblocks in a very different context. Nor was I disappointed. Somehow, perhaps because the company's display mitigated slap echo, Octave shone in a room similar to those at Munich High End that consigned many an exhibitor to audiophile hell.
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