The February Issue Is Here!
MBL's mighty N31 CD player-DAC is featured on the new issue's cover and gets an in-depth review from John Atkinson inside, but February is also our annual "Records 2 Die 4" feature: Our team of writers put their heads together and came up with 61 albums that they will take with them when they go.
The February Issue's Here!
"The Record Player Reborn" declare the new issue's cover, referring to reviews of LP players from Oracle, Acoustic Signature, and VPI. But digital isn't forgotten, with John Atkinson raving about about Chord's new $599 portable DAC, Larry Greenhill upgrading his Bryston BDP-2 file player with a new soundboard, and Digital Audio Review's John Darkø kicking off the issue with a guest editorial on the boom in personal listening in Japan. And topping it all off is our annual "Records to Die For" listing: 56 albums every audiophile should have in their collection.
The Filtronique Son-or Room at Montreal Audiofest 2026: Moonriver, Harbeth, Transrotor, Sorane, Dynavector, Ton Trager, AudioQuest, Canopée Audio, dCS, Tellurium Q
We loved this analog-based setup in one of retailer Filtronique Son-or's rooms at Montreal Audiofest 2026—not too complicated setup-wise but packing a powerful sonic punch that defied analysis because it was so well-blended, coherent, and right-sounding.
The First Issue of 2016 Has Arrived
Technics’ little gem of a speaker, the two-way SB-C700, signifies both the Japanese brand’s return to the high-performance audio scene and the start of Stereophile’s 54th year of continuous publication. Paradigm’s Prestige 95F tower speaker also gets the full review treatment, along with an idiosyncratic two-box CD player from the UK’s Audio Note, BAT’s cost-no-object Rex II tube preamplifier, and Apogee’s affordable but great-sounding Groove D/A headphone amplifier.
The Forthcoming Vitus RD-101 Mk.II DAC/Streamer
Vitus Audio, now in its 27th year, introduced its forthcoming entry-level RD-101 Mk.II DAC/Streamer ($15,000, release date TBD) at Munich High End. The unit sports a redesigned streaming modulethe old one is obsoletea newly optimized power supply, and significant noise reduction. There's also a new DAC chip, the ESS9038 Pro, which replaces the 9028 Pro.
The FTC Proposes Eliminating Its "Amplifier Rule"
When I joined Hi-Fi News in the mid-1970s, one of that magazine's stable mates reviewed cars. An automotive writer appeared in the pub one lunchtime"I rolled another one," he said, as he joined us at the bar. It turned out that one of his tasks was to take a car he was testing to the skid pad to see how many lateral G's the car could handle. Of course, the chances of a consumer turning that car over were minimal, but the reviewer was investigating the edges of the performance envelope.
As I became familiar with audio measurements, it struck me that the equivalent of the skid pan test was the thermal preconditioning we perform when we get an amplifier on the test bench. Even if an end-user doesn't drive his amplifier into thermal meltdown, the edges of the envelope need to be explored.
The FTC Updates the "Amplifier Rule"
At the end of 2020, the Federal Trade Commission proposed eliminating what had come to be known as the "Amplifier Rule," which had been in effect since 1974. Then-FTC commissioner Christine S. Wilson wrote, "Freeing businesses from unnecessarily prescriptive requirements benefits consumers."
To me, that made no sense. Far from imposing "unnecessarily prescriptive requirements" on amplifier manufacturers, the Amplifier Rule had long forced manufacturers to clean up their acts.
As I wrote in an article published on the Stereophile website in 2021, in the hi-fi boom that began in the 1960s, the Institute of High Fidelity became alarmed by amplifier manufacturers exaggerating their products' output power. Such mystical numbers as "Peak Power" and "Music Power" were used willy-nilly to produce sales-oriented ratings with little to do with reality.
The Future of Music Distribution?
New companies are springing up all around the web to provide songs for custom CD compilations. (See previous articles 1http://www.stereophile.com/news/10185/">1;, 2http://www.stereophile.com/news/10157/">2;.) You go to the site, choose up to 70 minutes of music from their catalog, and the finished disc is mailed back to you in a couple of days for between 10 and 20 bucks. The challenge for these companies is to have an attractive catalog of artists and songs to choose from.
The Good Rats' Peppi Marchello dies at 68
Peppi Marchello, founder, lead singer, composer, and arranger for the rock band, The Good Rats, died on July 10, 2013 from cardiac arrest. He was 68. The band's sophisticated, yet catchy and accessible rock anthems fostered a rabid following among fans in their home base, New York City's Long Island suburb. However, despite five strong albums of original material released between 1974 and 1981, three of which were distributed with major label support, the band was virtually unknown outside of Long Island . . . Rolling Stone dubbed The Good Rats, "The World's Most Famous Unknown Band."
The Graham Audio LS8/1 Loudspeakers Debut in the US
Jake Snider of Gig Harbor Audio and band Minus the Bear stands between Philip O'Hanlon of On A Higher Note (left) and Gig Harbor co-owner Erik Owen (right).
After two years of COVID-enforced isolation, the ever-dapper Philip O'Hanlon, founder and president of On A Higher Note distribution, flew to the PNW (footnote 1) to present, on October 2, the US premiere of the Graham Audio Limited Anniversary Edition LS8/1 loudspeaker. At $9700/pair with stands, the Graham Anniversary Edition LS8/1 looked right at home in the tastefully appointed, main floor showroom of three-floor Gig Harbor Audio, a dealership located a major swim or easy drive from the Seattle-Tacoma metropolitan area.