CES 2007

We always make a point of visiting DeVore Fidelity's rooms because John DeVore always makes music come alive—and we are so down with that.

I fell in love with the sound of the unique omnidirectional mbl tweeter when I reviewedhttp://www.stereophile.com/floorloudspeakers/643/">reviewed; mbl 111 loudspeaker in August 2002, so I always treat my ears by visiting the Berlin company's room the last morning of a Show. At the 2007 CES, they were showing this: an assault on the state of the speaker art based on two the mbl">http://www.stereophile.com/floorloudspeakers/1004mbl/">mbl 101E's upper-frequency modules mounted on top of one another, with separate active woofer towers. The excess of glass in the hotel suite led to a rather uptilted high-treble balanced, but the presentation was as awesome aurally as it was visually.

Wanting to hear more of newest addition to the line that includes the Andra II, successor to Stereophile's 1997 "Loudspeaker of the Year," I visited Egglestonworks' second The Nine room after the Show's first day closed at 5pm. Here I discovered a wonderful depth to the presentation, thanks to McCormack's UDP-1 universal player and DNA-500 amplification, as well as to the Kubala-Sosna cabling. The treble was also nicely focused. Alas, despite another round of Echo Buster room treatment and a striking-looking Grand Prix rack, The Nine's bass control was defeated by the room's square dimensions.

Here is the receiver or a place to put a second iPod.

Here's the part that goes on your iPod to communicate with the base unit.

The SignalPath suite at the Mirage featured the company's Era speakers and Musical Fidelity electronics—but wait! What's that sitting on top of the kW250 integrated amplifier? It's a laptop!

"Well, there's another new development—sort of," Channel Island Audio's Dusty Vawter said. "We've upgraded our $599 VDP-1 by essentially removing the entire circuit board and replacing it with a better circuit."