CES 2007

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Thiel's CS3.7 Demmed with Synergistic Cables

Thiel Audio had the benefit of several side-by-side rooms at the Venetian, one of which was reserved for listening with the door closed. Isolated from the noise of surrounding rooms, Thiel’s long-awaited CS3.7 speaker ($9900/pair in standard finishes when it’s finally released), and now actually boasting a grille, played an intriguing combination of two-channel and multi-channel music using Bryston electronics and Synergistic Research cabling.

To Boldly Go

"Here's something a little different for us," CJ's Lew Johnson continued his tour. "The $10,000 TEA1 triode equalization amplifier embodies our current understanding of the state-of-the-art in phono stage design. It's a zero loop feedback design with two tube gain stages and a passive equalization network. We put a high-current buffer stage isolates the unit from cable and other loading elements."

Tube Bling

Why would adult audiophiles do this to themselves? We have no idea. Kevin Deal and EveAnna Manley show off their latest tube blingware. Their dentists made a pretty penny knocking out their front teeth and adding the "Tubes Rule" matching grills. Yes, this stunt did get a photo in our blog.

Ultra Damping from Ultra Systems

Ultra Systems' Robert Stein cornered me—in the nicest way possible—at the Stereophile/Home Theater party Wednesday night, telling me that he had a great new acoustical damping product that I should check out in his booth. I was going to give this one a pass until he mentioned that it's small, easy-to-install, and inexpensive.

VTL Features Avalons

The very first room I visited at CES featured VTL and dCS electronics powering Avalon Eidelon speakers via Transparent cabling. This was a good start. I had become an instant convert to VTL sound at HE2006 last May, where Wilson Sophia speakers, driven by VTL electronics via Cardas cable and a Jadis tranposrt and DAC delivered some of the best sound I heard at the show. Since then, I've heard VTL gear in three other environments, this being the fifth. Each time, it has sounded different, but always musical.

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