CES 2009

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Canton's References

Loudspeakers from German manufacturer Canton have impressed Stereophile's review team over the past few years with their combination of careful, solid engineering and excellent sound. CES saw the launch of Canton's revised Reference line. The Reference 3.2 ($15,000/pair), seen here cradled by chief engineer Frank Göbl, features a new tweeter with a ceramic/aluminum /ceramic sandwich dome replacing the earlier version's aluminum/manganese-alloy diaphragm, which pushes up the primary dome breakup mode from around 21kHz to 30kHz. The tweeter dome is recessed within a short waveguide to optimize dispersion in its bottom octaves, and is damped by a small circular plate suspended in front of the center of the dome. The lower frequency drive-units, too, have been extensively revised, while the multilayer enclosure, with its gently curved side panels is acoustically inert, at least as far as the accelerometer measurements Frank showed me were concerned. I was sufficiently impressed to request a pair of Reference 3.2s for review.

Cocoa from Croatia

CES is traditionally where new brands come to find US distribution, and the room next to Stereophile's at the Venetian featured some well-finished and good-sounding speakers from Croatian company Audio Epilog, which they shared with Czech tube amp manufacturer KR. (Dig those humongous tubes!) The two-way Cocoa2 should sell for between $7000/pair and $8000/pair when it reaches these shores.

Continuing the Legacy

Visiting Kara Chafee of de Havilland, whose amplifiers invariably grace music with a wonderful sense of air, enabled me to take a first listen to Cable Research Lab (CRL) cables. CRL's mid-level "Silver" line is a very recent recipient of a "Product of the Year Award" from a certain publication known for its absolutism. Another very positive publication fed CRL an award in 2007.

Cool and Hot

As I was heading out dazed from the Sennheiser headphone experience, Dynaudio’s Mike Manousselis invited me to briefly listen to their demo. In the middle of the Convention Center’s huge South Hall, and at a reasonable volume level that did not attempt to drown out the ubiquitous din, a very cool Patricia Barber had claimed the space as her own. Abetted by a Wadia player and Simaudio amplification, speakers that I think were the Focus 360—Mike, help me out here; I hadn’t yet come down to earth from the Sennheisers—were doing a marvelous job of filling the space with inviting sound. If anything could entice me to transition from Richard Strauss’ Alpine heights to Patricia Barber’s sensual coolness, it was this speaker/electronics combo.

Cosmic Clarity

Ron Sutherland had a new battery powered phono section, the Hubble ($3800). The batteries come in a special battery compartment, so that there is only a single point of contact at each pole. He reckons the batteries are good for 800 hours of use and he has incorporated at clock in the unit so you can keep track. Each time you fire it up, program in you anticipated listening session and it will count it down and turn off the power at the assigned time—the same LEDs that serve as the timer also indicate battery strength as well.

Elicit/Illicit—It's a Fine Line

Rega had a (ta dah!) high-end integrated, the 90Wpc Elicit Mk.II ($3000). "We wanted something that was actually a step up from our separates," Steve Harris, president of The Sound Organisation, Rega's US importer confided. "The Apollo CD player was so far above its competition, we felt as though we needed to up our game with the new one—especially since the older version was considered the finest amplifier we ever made."

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