CES 2009

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Now That's What I Call Music!

Loudspeaker manufacturer VMPS ran a series of live-vsrecorded dems throughout the four days of CES, at the Zeus Ballroom in T.H.E. Show's Alexis Park venue. In dems organized by VMPS's Brian Cheney, groups of musicians and singers first performed live while being recorded by some of Ray Kimber's staff in DSD, using crossed figure-8 mikes, Millennia Media mike preamps, and Meitner converters. The recording was then played back on VMPS speakers and subwoofers, driven by Ampzilla amplification, with Audience Adept Response power conditioning and Audience Au24 e cables. The playback level was matched to that of the original, allowing legitimate comparisons. (The mikes were close enough in the solo singer dem I witnessed to minimize the double contribution of the room acoustic.)

Oh Nose, Not Another One!

Music Hall was showing a new USB DAC wit a tube output stage. The Music Hall dac25.5 ($600) uses an Electro-Harmonix 6922 tube, a Texas Instruments PCM1796 24-bi/192kHz DAC chip, a TI SRC4192 Asynchronous sample-rate converter (with a high-precision active crystal oscillator master clock), and four digital inputs (S/PDIF, TOSLINK, XLR, and USB). It sports re-clocking and user-adjustable upsampling (96kHz or 192kHz). It outputs analog via XLR or RCA.

Oh, Vincent.

Vincent was showing a room full of well-built, good-sounding, surprisingly affordable tube gear.The first thing that caught my eye (ear) was the 60Wpc V-60 ($3995). The V-60 sports four EL-34s per channel for that classic themionic caramel color (but just the teensiest bit). Pairs of 69273 and 6FQ7s complete the complement. Another sweet spot I never wanted to leave.

On Stage

Scaena is a modular speaker design that combines multiple small midrange drivers, each mounted in a pod affixed to a rigid stand, with subwoofers placed elsewhere.The speakers come with digital crossover and high-current amplification for the subs. The speakers come as 24, 30, or 36 pod units and you can add as many subs as you require.

On the Lamm

Lamm was driving the new Wilson Maxx series 3 with its 32Wpc ML3 Signature SE triode monoblocks ($139,290/pair). It was my first chance to hear either, so I can't tell you if it was the speakers or the amps that were making the magic happen, but happen it did.

Ongaku Means Ecstasy

JA caught up with me at the Blue Light Audio room and suggested we saunter down to hear the 25Wpc Audio Note Ongaku integrated amplifier ($95,000) featured in his photograph above. Yes that's a jaw-dropping price, even after four days of CES. The Ongaku has five line level inputs. It employs two NOS VT4-C (211) tubes, an original NOS Telefunken 6463, and two NOS 5R4WGB rectifiers. Audio Note builds it own silver-wired driver transformer on a double AN-Perma nickel C-core. AN tantalum resistors, Black Gate electrolytics, and another silver wired transformer (output this time) complete the innards.

Out of the Ordinary

After years of attending shows where Nordost cabling was successfully paired with Raidho Acoustics speakers, I was surprised to learn that the Raidho Acoustics Ayra C-2 ($24,000) speakers are internally wired with Nordost Valhalla. No wonder the combination is so synergistic. Frankly, even a boom box would sound like a breakthrough product if it were wired with the Nordost Odin I heard in this room. Odin ain't cheap—Odin power cables cost $11,000 for a decent length, interconnects $16,000 for 1m, and speaker wire starts at $20,000 for 1m, with the best sound said to come from 4 meter lengths of speaker cable and an investment of $38,000—but the sound is as full, complete, neutral, and satisfying as anything I've yet heard. My own experience confirms that single Odin power cable can transform the sound of a system.

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