CES 2010

Since the ES14 from the mid-1980s, speakers from the English Epos company have been renowned for their midrange magic, not for ultimate dynamics. But Mike Creek, Epos's owner, is aiming for both with the Encore 50, which made its debut at CES. This three-way floorstander, priced at $9995/pair, uses two port-loaded 9" woofers with Kevlar/carbon-fiber/pulp-composite cones, in a large cabinet to achieve a high 90dB sensitivity, while the metal-dome tweeter uses an injected-molded roll surround to give high excursion. The midrange is fed by a tapped autotransformer to allow adjustment to a tight tolerance in production.

I got to the LVCC just in time. The journalist registration line in the second floor pressroom was virtually non-existent . . . until I finished. By then, 20 more journalists had lined up behind me.

Havng recently used Esoteric's four-box SACD playback system, with its dual-mono DACs and the ultra-high-precision Rubidium Clock unit, I checked out what the Japanese company was displaying in the rooms they were sharing with cable manufacturer Synergistic Research. My eye was caught by this beautifully styled one-box SACD player/DAC/100Wpc amplifier. The RZ-1 is scheduled to sell for $6000 and as well as using one of Esoteric's highly regarded SACD/CD transport mechanisms, it has both 192kHz-capable S/PDIF and 24/96-capable USB digital inputs and—significantly for the way the audio market is going—a phono preamplifier. The 32-bit D/A section uses an AKM AK4392 chip and offers both a conventional reconstruction filter, one that resembles Meridian's minimum-phase "apodizing" filter.

Here's a product that should warm the digits of anyone with a vinyl collection. Furutech, who is generally known for its high quality connectors and cabling, will be releasing the $450 GT40 USB DAC with built-in phono stage this March.

I timed my arrival in Las Vegas for early afternoon on Wednesday, the day before the Consumer Electronics Show opened, so I'd have enough time to get from Stereophile staff's little of island of sanity in the smoke-free, gambling-free Hyatt Place Las Vegas to press registration at the mammoth Las Vegas Convention Center (LVCC). The traffic was considerably lighter than during the show, the lines for registration much shorter than I would have encountered on opening day.

I had a great time listening to my own recordings in the Halcro room. Though the room lighting and the alien looking Vivid Audio G2 Giya speaker gave foreboding vibe in this photo, the sound was warm and detailed and the Halcro folks were really friendly. Featured in the Halcro system were the dm10 preamplifier($20,990) and the dm78 power amplifier ($41,990). The dm 10 is Halcro's top-of the line preamp and features its own phono stage. (It was reviewed in the April">http://www.stereophile.com/solidpreamps/404halcro">April 2004 issue.) The dm78 is a mono amp that puts out 225W into 8 ohms and handled big dynamic swings in recordings of both Vivaldi and Eric Whitacre with ease and grace.

The Holm Acoustics leather wrapped remote control which feels heavy and comfortable in the hand. Just press on the leather for the buttons to work.