Understanding Loudspeakers
My loudspeaker seminar on Saturday featured Dick Diamond of YG Acoustics (to the left in Jason's photo), John MacDonald of Audience (far right) and Bill Dudleston of Legacy (immediate right with hand raised). The first half of the session featured each panelist discussing what his goals were as a loudspeaker manufacturer, what technical parameters he felt most correlates with good sound, how he balanced all the various aspects of performance to get a good balance at a specific price, and where he felt there was the greatest room for continued improvement in speaker performance. The second half of the seminar consisted of a Q&A session and there was a lively discussion, including mention of the fact that all three companies featured on the panel continue to manufacture their speakers in the US.
YG & Krell
"That's a familiar sound," I thought as I entered the 5th-floor suite shared by YG Acoustics and Krell. It was the classic Show dem record from the early 1980s, James Newton Howard & Friends on Sheffield Lab. The speakers were the YG Anat Reference II Studios ($70,000/system), which differ from the Anat Reference II Professional reviewed by Wes Phillips a">http://www.stereophile.com/floorloudspeakers/yg_acoustics_anat_referenc… year ago in not having the powered subwoofer modules. The room was problematic at low frequencieseither there was an upper-bass suckout or there was too much upper bassand YG's Dick Diamond had spent long hours optimizing the sound on set-up day, but the effort was obviously worth it.