CAS 2010

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Profundo's Winning Combo

How this Oakland resident has lived all these years without knowing about the Profundo distributors in El Cerrito, just two cities over, is beyond me. Regardless, I'm sure glad I got to meet them, because their combination of Transfiguration, Trenner & Friedl, and Heed was making extremely mellow sound. Whether it was Norah Jones singing "Not Too Late" or Bruce Springstein's LP, Ghost of Tom Joad, the system sounded beautiful, smooth, and extremely musical.

Puget Sound Studios' Hi-Rez Achievement

Even if equipment is as excellent as it was in the Eficion/Stillpoints room, no system can sound better than its source material. On that score, I doubt any room save Cookie Marenco's Blue">http://blog.stereophile.com/cas2010/blue_coast_heaven/">Blue Coast Studios set-up, which was recording acoustic musicians live to DSD, could top Bruce A. Brown's hi-rez files. Bruce's Puget Sound Studios not only does all the mastering for Winston Ma's First Impressions Music (FIM), but also supplies all the 96/24 hi-res tracks for the Chesky Bros' HDTracks site.

Raven Ebb Debut

Towering Alan Dwight Hulsebus of Raven Design Studio was proud to show off the unusual skeleton of his Raven Ebb loudspeaker ($12,000/pair). Manufactured and designed in Camarillo, CA, the speaker includes a proprietary Raven ribbon and Focal drivers (including two rear-firing drivers to optimize room interactions), and is wired with Clarity cable. (Exhibitor Orca Design and Manufacturing distributes Focal in the US.) Claiming a frequency response of 40Hz–50kHz ±3dB, with a nominal impedance of 6 ohms and minimal impedance of 5 ohms, the 86dB-sensitive loudspeaker was paired with Superlative Audio's SSA-250 50Wpc amplifiers ($30,000/pair), Oppo BDP-83 SE player ($899), Benchmark DAC1 HDR DAC/preamp ($1799), and a host of Clarity cable.

Salk with Van Alstine

I had heard much positive buzz about the fascinating-looking Salk SoundScape loudspeakers. Equipped with the excellent RAAL custom ribbon tweeter, an Accuton midrange, and a separate Acoustic Elegance woofer, the Soundscape 10 ($9999/pair base price, or $13,999/pair with a 12" woofer) is said to perform from 21Hz–60kHz, ±3dB. It also offers adjustable tweeter and midrange ambience, and looks like a baby that will attract lots of positive attention in your living room.

Simon Yorke Sings at Tone of Audio

The Simon Yorke S10 Record Player ($19,950), now imported into the US by Tim Nguyen's Tone of Audio in San Francisco, is the replacement for the former Simon Yorke S7. That's the table Michael Fremer used as his reference for 10 years until the far, far more expensive Continuum Labs Caliburn entered his life in 2006. The new S10 is completely hand-machined on a lathe by Simon and his son Spencer from solid raw blocks of aluminum and non-magnetic iron.

Take Note

When I entered the Audio Note UK room, someone was in the midst of auditioning a CD of exotic Chinese instruments. The strings sounded beautiful, the highs lovely. On solo piano, the system had a very quiet, enticingly crystalline purity. Soprano Elly Ameling's voice sounded equally beautiful, the voice clear and radiant, even though her piano accompaniment was strangely bloated and over-emphasized. That was no doubt due to room problems that other exhibitors tried to tame with ASC Tube Traps.

The Lotus Group's Granada

The imposing Lotus Group Granada UB II loudspeaker ($125,000/pair), complete with an active crossover and Feastrex Type II field-coil driver, was sounding the best I've ever heard it. The system as a whole was a bit dark for my taste, but a track from Esperanza Spalding's new disc, Chamber Music Society, was just beautiful. Everyone in the room loved it.

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