John Marks Teaches ORTF
In a recent Stereophile.com news item, John Marks informed readers about free online music production classes now offered from the esteemed Berklee College of Music. Seems like JM himself is taking up this opportunity. In this video assigment, JM shares his explanation of the ORTF microphone placement technique for stereo recording.
Klipsch Presents! Featuring the B-52s and more on the Klipsch S4s
I’ll be honest, when Klipsch invited me to see the B-52s on Thursday, August 9th, all I really wanted was for Peter Griffin to stroll across the Irving Plaza stage oblivious to the swirling lights and drifting artificial fog, whip out an acoustic guitar, and play that jangly lead from “Rock Lobster”. A bearded lobster donning a turban would then prance to the front of the stage and everyone would scream “Death to America / And butter sauce!” This never happened. However, I did successfully ignore the opening band Love Funk, had my mind blown by the B-52s, but most importantly, I discovered a bunch of new products from the Klipsch family.
“Iraq Lobstah!”
Kurt Rosenwinkel Quartet at the Village Vanguard
From February 28 until March 04, 2012, the Kurt Rosenwinkel Quartet got cozy in the dark and welcoming Village Vanguard for six evenings and 12 evocative sets of guitar-work and authoritative musicianship. Rosenwinkel partnered with friends Eric Revis (bass), Aaron Parks (piano), and the band young’n Justin Faulkner (drums).
L’Arpeggiata: Memory and Music Collide
Lenny Abramov thought he found immortality in Eunice Park, the woman who gave him the will to live. He thought he found it in his job, where he sweat endlessly soaking through his acrylic shirts while mindlessly serving Joshie, a back-stabbing “friend”. Eunice would leave him too. In fact, the only true happiness Abramov ever found and returned to were the sounds of his mother and father’s native Russian tongue, their coddling words and thick, laborious accents. In their speech, he could reconnect to the compassion they shared, the basketball they played, and his basement bedroom. Abramov’s parents were the only thing he had, until they died. He was left with bells “tolling, deep and sonorous and thoroughly Russian.” Lenny never chose his parents. He never chose their boundless affection. It was the sound of bells at their deathbeds that reminded him he was loved.
Like An Old Friend
The Sony Radio Cassette-Corder CFM-10 is an unassuming little piece of electronics. I remember back in 1995, while the devastating Hurricane Opal tore across the state of Alabama, my family crouched on the laundry room floor with a cheap green lantern giving us light. My little sister and I were wrapped up in oversized, itchy wool blankets, laughing and joking, while Opal wreaked havoc and destroyed lives. We listened to the wind howling against the house, huge tree branches cracking and crashing to the ground, as we awaited word from weather-god James Spann who spoke from a little black cassette-corder like the one I had just found.
Listen to the Sounds
On Sunday, I took a walk through Inwood Hill Parkthe last existing glimpse to the natural wonder that Manhattan once was. Tulip trees and red-backed salamanders populate these woods. Along the paved trail, a playful soul chalked in instructions for hikers:
"Listen to the sounds."
Listening is Love
Similarly, hi-end audio is a selfless act. We are workers for the world of music and its performers. The thousands of dollars that audiophiles spend on monstrous loudspeakers and thick, slick cables are not shameless self-indulgences, but expressions of grand devotion to the recreation of an expression, an emotion, a feeling! To truly take someone's words to heart. To find yourself in someone else's soundstage. To give yourself away and believe in somebody else's dreams instead of your own.
Live at the Lab: Gem Trails "Adobada" Lathe Cut EP
I'm running sound at a new DIY venue in Brooklyn called The LAB, and I snag some weird stuff. Here's a sample…
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Trevor Peterson arrived with a guitar and a bevy of pedals and samplers. With the help of adaptable computer music softwares like Ableton and Logic and popular hardware like the Roland SP-404SX or the Akai APC40, the combinations of technologies passing through the Lab morphs constantly.
Live at The Lab: Kashka
I'm running sound at a new DIY venue in Brooklyn called The LAB, and occasionally I snag some good tunes. Here's a sample…
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Kashka is a Canadian synth-pop duo formed by vocalist/lyricist Kat Burns and synth programmer and multi-instrumentalist James Bunton. The pair arrived by way of Toronto with stacks of keyboards, drum machines, and a laptop. After a show of reverb-drenched harmonies and airy synth patches, Kat handed me a purple colored tape of their most recent album Vichada. A tape? I didn't quite understand.
Live: Anamanaguchi, Bitchin' Bajas, and Angel Olsen
Despite a recurring and subtly bothersome perirectal abscess, I was committed to making this a good weekend. My life had been devoid of concerts and bars due to my renewed vow to frugality, but an endless stream of incredible live music in NYC this weekend could not and would not be ignored.