SSI 2012

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Splendid Spendors

I was delighted by the sound being made by Montreal dealer Audiophonie—partly, I admit, because they were demonstrating an all-new version of the venerable Spendor SP100, now in R2 form ($11,900/pair), an earlier version of which I owned and loved for years. Its tone, touch, spatial presentation, and vibe were all just about perfect. I will beg—yes, beg—for the opportunity to write about the Spendor in the months to come.

Tannoy and Linn

Two venerable British makes—who share a North American distributor and neither one content to rest on their laurels—teamed up at SSI 2012, the Tannoy Definition DC8T ($6200/pair) being combined with the Linn Akurate DSM digital streamer ($9200) and Linn Akurate 2200 integrated amp ($6000) to produce a very clean, dynamic sound.

The Bricasti DAC

After having been at the show for some time, I received an email from John Marks, fellow Stereophile scribe, urging me—and Art Dudley, who got the same email—to try to listen to the Bricasti DAC that John Atkinson reviewed in February, which he said was adding five minimum-phase filters, as well as offering an optional asynchronous USB input. As it happened, I read the email just as I was walking by the Bricasti room, and I took this to be a sign that I should follow JM's recommendation.

The Carot One Does Everything

Another product imported by Mike Tang is the Carot One ($399, $370 tax-in show price), which can be used as an integrated amp, preamp, power amp (6Wpc), or headphone amp. It uses a single 6922 tube, with a class-D output section. It's so cute that you want to buy one whether you need it or not. It's pictured here, with my iPhone included to provide a sense of scale.

The Coup de Foudre Party

One of the unofficial highlights of this year's SSI was the by-invitation-only party given by Montreal dealer Coup de Foudre. The genial hosts were Jennifer Cytrynbaum (Store Manager) and Graeme Humfrey (Product Specialist, Store Owner, jazz guitarist, and a recording engineer of 20 years' experience). They had great food and drinks, and they did their utmost to make sure that everyone has a good time. The picture shows Jennifer in her element, along with Wilson’s Peter McGrath (left), Wavelength’s Gordon Rankin (center) and Graeme Humfrey (far right).

The Light Harmonic DaVinci USB DAC

The Light Harmonic DaVinci USB is perhaps the most unusual-looking DAC I've seen, with the top of the unit that can be rotated. It's a non-upsampling, non-oversampling, no-negative-feedback design, with up to 384kHz/32-bit capability. The DaVinci uses three transformers in the power supply: one for digital, one for analog, and one for USB and control. This looks like a very serious design, and the price is correspondingly serious $20,000.

The MBL 126

I've been an admirer of MBL's omnidirectional speakers, the latest 101E Mk.II reviewed by Michael Fremer in the April 2012, issue. These were demoed at SSI 2012, and sounded great, as always. While certainly an impressive illustration of the art and science of speaker design, for me, the 101E Mk.II, being priced at about $70k/pair, is a speaker that I just can't relate to—the audio equivalent of a Lamborghini.

What I found exciting at SSI was MBL's new entry-level "baby" speaker, the MBL126. With a new radial midrange driver and tweeter, and two 5" "push-push" drivers, with MBL's less-expensive electronics, the pair of MBL126s at the show had much the same sort of open, non-listener-position-dependent sound that characterizes it senior siblings—and the price is a relatively-affordable $11,800/pair.

The Rethm Gaanam

New at SSI was Rethm's first foray into amplifier design: a 16Wpc single-ended integrated amp called the Gaanam ($7750), built around the Russian 6C33C tube and featuring an outboard power supply, 6922-based preamp stage, and an all-transformer driver stage. Using a Lector CD player and Rethm's own all-silver speaker cable ($1250 for an 8' pair), the combination of Maarga speakers and Gaanam amp sounded spacious, clean, well textured, and very tactile, with fine bass extension and bass color; my impression was that the consistently large crowd of listeners in this room agreed.

The Rethm Maarga

Rethm, most of whose distinctive loudspeaker designs have been designed and built around full-range Lowther drivers, has now switched to a driver design of their own—which, like Rethm's loudspeakers themselves, are manufactured in India. The Rethm Maarga ($8750/pair) supplements a 6" version of that new driver with an isobaric pair of powered, 6.5" paper-cone woofers.
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