NY Audio Show 2013

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Reimyo and Combak

I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.

Rutherford Audio Gains Traction

Rear shot of the Burmester 909 stereo amplifier ($73,495).

Last year, Burmester relegated their loudspeakers and amplifiers to the grand ballroom of the Waldorf=Astoria, which made their gear easy to see but less accessible to listen to in a concentrated setting. At the New York Palace, Rutherford Audio, the North American distributor for Burmester, hosted their own listening room on the fourth floor with a diverse range of music ranging from Verdi to Infected Mushroom.

Simple Systems from Simplifi Audio

Simplifi Audio room would be a priority on my first day since I missed them entirely last year where they apparently kicked much booty. Hosted by the amicable duo of Daniel Weiss of Weiss Audio and Tim Ryan of Simplifi Audio, a San Diego-based distributor, their large room was devoted to three different systems that were demoed throughout the weekend. The one I heard and pictured above is the Klangwerk Ella 2-way active speaker system ($7,495) fed by the Weiss DAC202 ($6966) and Weiss MAN301 Network Player ($9083; $12,262 with internal DAC), and Integrita Audiophile Music Server (approximately $6000).

SRV and Sony

This year, the surprising lack of SRV (and overabundance of easy listening) made me glad to hear his perennial cover of “Little Wing” through Sony’s new and more “affordable” SS-NA2ES floorstanding loudspeakers ($10,000/pair) through Pass Labs amplification. Last year’s system impressed me thoroughly, striking a balance between romance and detail. This year’s system favored speed and attack accenting flourishes I had never heard before in SRV’s Hendrix cover but sounding a bit cool on “Breaking Silence” by Janice Ian.

Symbol-ic Importance

One of the most talked-about exhibitions at NYAS 2013&#151and, indeed, one that impressed me more than most&#151was by a newish company called Symbol Audio, specializing in heirloom-quality furnishings that are aimed, it must be said, at non-audiophiles possessed of both good jobs and good taste. The centerpiece of Symbol's room was their Modern Record Console, which combines a high-quality record player from Project, a built-in Apple MacMini with a Meridian Explorer D/A converter, a tubed (push-pull EL84s) integrated amplifier by ENG Vista (with source selections for phono, D/A, and WiFi), and a pair of Omega full-range drivers, supplemented with a self-powered, pedestal-mounted subwoofer. All of this is built into drop-dead-gorgeous cabinetry, bench-built in New Jersey from solid black walnut. Price: $26,500, woodchuck not included.

The Audio History Museum

Industry veteran Louis Manno was on-hand to remind show attendees about the Audio History Library and Museum, a non-profit organization that's dedicated to creating an on-line database of information on the domestic and pro audio industries. (To that end, Manno brought with him some of the more tangible audio specimens from his collection.) Individuals and businesses alike can contribute to this project in a variety of ways; details are available at www.audiohistory.com.
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