NY Audio Show 2013

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New Designs from Atocha

My friend Jenn Atocha was happy to present her latest LP cabinets. Like all Atocha Design products, these cabinets are handcrafted in the USA, made from sustainably harvested wood, and are formaldehyde- and lead-free. Unlike my inexpensive IKEA bookcases and other record-collection foster homes, which may or may not collapse at any moment, Atocha cabinets are made specifically for storing and showcasing a record collection. They are built to last and worthy of the term "heirloom-quality," meant to provide an entire lifetime of pleasure and use, before being passed on to future generations.

NY Audio Show 2013: Getting There From Brooklyn

It had already been a long week at Stereophile. I trucked through three thirteen-hour workdays plugging in code for the Recommended Components iPad app and had my first dentist appointment in five years. Holes had been burned through my eyes and scraped through my teeth. Luckily, my ears were still there dangling. But the rain, the rain, THE RAIN! I could have done without the rain this morning.

Punching Above Its Weight: Resonessence, Music First, Wells Audio, Audio Space, & Audience

Among the smaller systems I heard at NYAS, this nears the top of my list: the Resonessence Labs Invicta D/A converter ($3990), driving the Music First Audio Baby Reference preamplifier ($6990; see Sam Tellig’s rave in the October 2012 issue), the Wells Audio Innamorata power amp ($6000), and most recognizably, Audio Space’s BBC-approved version of the classic (imagine that word in gold leaf) LS-3/5a monitor (only $1790/pair) and SW-1a woofer towers ($1190), with cable by Audience. This setup had exceptional drive and impact: qualities I associate with good transformers, of which the passive Music First preamp has an abundance.

Pure and MAD

Upon visiting the room of Colleen Cardas Imports, I was impressed by yet another small loudspeaker: the Signature version of the model 1920 mini-monitor ($3450/pair) from British firm MAD (for My Audio Design). The 1920 is described as designer Timothy Jung's take on the classic BBC LS-3/5a theme, and while it didn't sound precisely like that hallowed box, it was pleasing in much the same way when driven by the 65 WpcClass-A Monoblock Reference power amps ($15,500/pair) and Control Preamplifier ($9500) from Pure Audio, a company founded by the previous principals of Plinius. Source components were the Platinum Data CD IV disc transport ($3995) and The Analog D/A converter ($6995) from MSB Technology, while cabling and power-distribution products were by Furutech.

Quad’s Float-QA Headphones

These $3000 ear-speakers manufactured by the German division of Quad sure do look funny, but they made serious sound in the Headzone room. The Float-QA Headphones flanked gently down my temples and reproduced a carefree and natural delivery full of concert-hall realism. They require the accompanying Float QA-PSU to operate, and fit can be adjusted via a loose head strap. Though they felt a bit wobbly, I’m sure in a stable home setting, these things could easily let you drift away.

Quotations from Chairman Cosmo

Colleen Murphy, whose first serious system was built around a pair of Klipschorns, prefers vinyl to all other formats—not just for the superior sound, but for other, less tangible qualities. “It’s almost a ritual,” she said at NYAS 2013. “The inconvenience is one of the things that makes us give ourselves over to it.”

Raidho, VAC, Nordost, Audience, Sound by Singer

The first room I visited at the NY Audio Show was one of the best-sounding. The third of three rooms displaying brands sold by Manhattan retailer Sound by Singer—click here and here for our reports on the other two—it featured the world premier of Danish Manufacturer Raidho's D2 loudspeaker ($43,500/pair in black, $48,000/pair in gold walnut). The D2 combines the ribbon tweeter used in Raidho's well-regarded D1 minimonitor with two 4.5" woofers that use a diamond-coated cones.
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