Grace from Volti Audio & BorderPatrol
By the time I reached the Tower’s 11th floormy final floor, thank Godat 5:35pm on Saturday, I had been at it for over 8.5 hours, and my cold and fever were at their peak. It felt as though nothing short of the Balm of Gilead could bring me solace. But when I heard, in succession, impressively full-range sound and excellent low-bass definition on Mahler’s Symphony 2, and gorgeous warmth and color on everything soprano Arleen Auger sang, I felt as though I could simply float through the rest of the day in a state of peace.
Grimm Audio reaches the US
Earlier this year, Michael Lavorgna told us about Grimm Audio’s attractive and intelligent LS1 system ($39,900), which incorporates high-resolution (24-bit/192kHz-capable) A/D and D/A converters, six Bruno Putzeysdesigned NCore amplifiers, a DSP processor, USB interface, a preamp/control unit, integrated bass modules, and all the necessary cables. There is even an analog input. All you need to add, then, is a source.
GTT AV: YG Acoustics, Mola-Mola, Kubala-Sosna, Luxman
I've been kicking myself for not making it out to Brooklyn to hear YG Acoustics' flagship Sonja 1.3 loudspeakers while they were in John Atkinson's system.
Happy Music from Vanatoo's Transparent One
I first met Gary Gesellchen and Rick Kernen, the duo behind Vanatoo, at the 2012 Music Matters event, held at Definitive Audio in Seattle. At the time, Gesellchen and Kernen, who, through prior business relationships and active participation in the Pacific North West Audio Society, have known each other for 28 years, were just bringing their design to market. Now, the Vanatoo Transparent One powered loudspeaker ($499/pair) seems fully realized.
HiFi Imports dems Venture, Weiss, Thrax, Enklein
Colorado Springs-based HiFi Imports were demming their system in one of the Marriott's very large ground-floor rooms. Speakers were the Venture Grand Ultimate Mk.IIs from Belgium ($98,000/pair), which combine Venture's proprietary 2" tweeter, which uses a graphite-pulp-composite diaphragm, with a 7" midrange unit and four 7" woofers. All the lower-frequency drivers use carbon-fiber/graphite-composite cones and the speaker's frequency range is specified as 22Hz60kHz with a 92dB sensitivity.
High Fidelity Services: Neat, Sonneteer, VPI, and more
The UK’s Neat Acoustics is distributed in the US by High Fidelity Services in Braintree, Massachusetts. Here we see the company’s Motive SX2, in sassy pink ($2395/pair), driven by a Sonneteer Orton integrated amplifier ($3795). The digital source was Sonneteer’s Byron CD player ($2795), while vinyl was being spun on a VPI Scout 2 ($2400) with a Dynavector 20-2 XL cartridge ($850). The attractive rack is the Custom Design Ikon 750 Reference ($1475). Neat, indeed.
JansZen, Bryston, exaSound
Designed and manufactured in Columbus, Ohio, the JansZen zA2.1 loudspeaker ($7495/pair) is an interesting design with a side-firing ring-radiator tweeter and two 7” Alnico woofers—one above and one below a pair of stacked electrostatic panels.
Jeff Rowland's Aeris DAC Impresses
My sleeping room at the Tech Center Marriott was next to the Jeff Rowland Design Group's sound room. The night before the show started, though I wasn't kept awake, I was puzzled by the low-level, low-frequency noises coming through the wall. When I went into the room after the show had begun to take a listen, JRDG's Lucien Pichet, who for many years had been a stalwart at Avalon Acoustics, explained that they had been breaking in the system. This comprised Raidho D1 speakers, driven by the Continuum S2 400Wpc integrated amplifier ($9800) via Cardas Clear cables, with source the Aeris D/A processor ($9800) hooked up to a Bryston BDP-1 file player. The components were supported by one of the impressively built Harmonic Resolution Systems racks.
Keith Monks discOveryOne record-cleaning machine
If you’re going to spend time scrubbing records, the task might as well be made fun and easy. That seems to have been Jonathan Monks’ goal when he designed the new discOveryOne record-cleaning machine ($2495, base price).
Kimber/EMM LabsJA's Equal Best Sound at RMAF
Ray Kimber always gets great sound at shows, but this year, although he was still using four Sony SS-AR1 loudspeakers hooked up with Kimber Select cables and an EMM DAC to play his four-channel IsoMike DSD master files, there was something extra-magical happening in the room. Both pianist Fan-Ya Lin's album Emerging and the Romantic Album from violin and piano ensemble the Formosan Duo, sounded tangibly real. The key, it turned out were the gigantic, 300lb MTRX class-A/B monoblocks from EMM Labs, can be seen in my photo. This brute will output 1500W into 4 ohms and, in Ray Kimber's words, extracts "cheerful obedience" from the speakers it is tasked to drive.