AXPONA 2019

The new (world premiere) Laufer Teknik The Note loudspeakers ($29,950/pair) are very hard to photograph because they are very thin line arrays comprised of 48 little metal drivers each in a 87"-tall, 2.5" deep, 2"-wide aluminum enclosure that's heated—it is warm to the touch. They disappeared into space while I listened. Their soundstage went out through the wall behind them while the $1600 SVS SP-4000 subwoofer pushed tight bass down through the floor to the basement. Bach's Toccata and Fugue in D minor rattled the walls, but I couldn't "see" the speakers. Think: Skinny speakers make giant sound.

I sat down in the Playback Designs room to listen to a system featuring Playback's MPS-8 SACD player/DAC ($25,000 plus $2400 for the Stream_X option) and Stream-IF streaming interface ($3300), both from the company's Dream series, with an Playback IPS-3 integrated amplifier ($14,000), these all sitting on an English Lateral Systems 4-shelf rack ($4100), driving Verity Parsifal Anniversary loudspeakers ($25,000/pair) and wired with Kubala-Sosna Emotion interconnects and Fascination AC cord and speaker cables. Playing was the DSD256 file of "Let There Be Love," copied from an analog Ampex 468 ¼" tape running at 30ips that had been recorded in parallel with Lyn Stanley's new direct-to disc album London With a Twist: Live at Bernie's.

Illinois dealer F1 chose the sonically challenged, glass-encased Nirvana Lounge, on the second floor of the Renaissance Schaumberg's Convention Center, to stage its $428,871 crate-décor system complete with an important premiere: the Dan D'Agostino Momentum HD preamplifier.

I was greeted by a familiar sound from shows past when I went into the first MoFi Distribution room on the Renaissance's third floor: a track from the All Star Percussion Ensemble LP that showed off the superb imaging and terrific transient reproduction of the Manger P2 speakers ($18,995/pair; $21,995/pair in the Rio Palisander veneer being demmed). Using a bending-wave transducer to cover everything from the lower midrange upward, supported below 340Hz by an 8" woofer with a carbon-fiber cone, the P2s sounded perhaps a bit too sweet in the top octaves when the percussion cut was followed by Vivaldi's Four Seasons.

Despite the challenging acoustics of air-walled conference rooms, retailer Audio Video Interiors produced extremely satisfying sound. True to McIntosh Laboratory's sonic signature, the company's C-1100 preamp ($14,000), relatively new 600Wpc MC-611 monoblocks ($15,000/pair), and MPC-1500 line filter ($5500) produced a beautiful, strong midrange and mellow top.

Celebrating 21 years of affordable Music Hall turntables, the irascible Roy Hall (right) was in fine form on AXPONA's opening day, offering show specials.

What a difference a change of venue and cabling makes. In the Nagra room at CES, the sound was silvery, glistening, open, and mesmerizing. Here, with smaller Kharma Elegance S7 loudspeakers ($18,000) and mid-priced copper-based Organic Reference cabling that uses a fiber dielectric, the sound was more toned down but no less compelling