AXPONA 2022

I've been a fan of European Audio Team electronics since I reviewed the fantastic E.A.T. E-Glo I integrated amplifier in the December 2020 issue of Stereophile. Unfortunately, that mighty tube treat wasn't present at AXPONA, but Vana Ltd. importer, CTO Roy Feldstein, told me to chill. He had more E.A.T tricks up his sleeve.

As MoFi Distribution is based in the Chicagoland area, it's no surprise they go all out at their hometown AXPONA. They packed the house with exhibits in four rooms featuring plenty of debuts, so I'll divvy my coverage into a couple of parts.

But first, some big news. Illustrious loudspeaker designer Andrew Jones, known for his work for Pioneer, ELAC, and other companies, has joined with MoFi Distribution. Word is, Andrew will be designing a speaker to round out MoFi's own system lineup.

In addition to exhibiting a plethora of "classic" hi-fi gear, MoFi Distribution introduced a modern lifestyle system in Suite 340: the new Piega Ace Wireless series.

For two years now, pandemic-related supply-chain issues have racked (but not wrecked) the high-end industry. Things still aren't back to normal, and sometimes planned product launches have to be pushed back. Today, when I visited the room featuring Magico loudpeakers and Luxman electronics—see KM's report here—I found out we'll have to wait just a little longer for the next Magico speaker, but I can't imagine that anyone was disappointed when the company's Peter Mackay brought the M6s ($185,000/pair) to AXPONA. A known quantity they may be—the product was introduced five years ago—but I was whistling Eric Clapton's "Hello Old Friend" as soon as I saw them.

MoFi Distribution showed some classic hi-fi gear—tube amps and classic speakers—in two of their four rooms, suites 330, which I cover here, and 346 (report to come). A few products debuted, including tubed amplification from Mastersound, an Italian company with a rather un-Italian name. MoFi Distribution's VP of Sales & Marketing Jon Derda told me that Mastersound winds their own transformers in-house. The brand is new to MoFi's roster—and new to me.

When I heard Usher's "Yeah!" being blasted out from the, uh, Serenity Room, I wondered whether to go in or hang back from the crunk. Not hating on the song, but it was awfully early in the day for this. (It turns out there was someone shooting a video in there.) But the real surprise was that the bumping, club-worthy music wasn't coming from outsized tower speakers, but from a pair of stand-mounted two-ways with some innovative porting.

For huge sound in a huge room, you needed to look no further than the Schaumburg Renaissance Convention Center's Schaumburg F. Played at full volume, the momentous, quasi-apocalyptic opening of Richard Strauss's Also Sprach Zarathustra, aka the theme from 2001: A Space Odyssey, virtually knocked me back a row. Only the deep bass, which was eaten alive by the room's spongy air walls, suffered. Which means that the deepest organ pedals on the forthcoming superbly recorded 7-CD Strauss set from conductor Andris Nelsons (heard in 24/96) had about the same weight as on the hi-rez digital transfer of Fritz Reiner's famous RCA Living Stereo recording with the Chicago Symphony Orchestra.