PAF 2023

"Have you heard Dutch & Dutch? If you haven't, you must." Time and again, variations on that theme were voiced either by me or many of the attendees I chatted with at the show.

As far as I can recall, my encounter with the Dutch & Dutch 8c active loudspeakers ($15,000/pair) is the first time I have heard this company's offerings. (They've only exhibited at two shows.) I sure hope it will be far from the last.

Entering Klaus Bunge's intentionally low-lit Odyssey room was like entering another dimension. Showgoers may have had no idea what the purpose of the room was—even I couldn't discern it from the display—but they could not possibly have been less than fascinated.

On the pretty lucky-sounding 13th floor of the Doubletree by Hilton at SEATAC, LTA and Daedalus Audio presented the larger installment of their two-room partnership. A Red Book file of Patricia Barber's "The Beat Goes On" was distinguished by lovely warmth and a very solid, all of one piece presentation.

Visiting Chuck Miller's Millercarbon room at PAF gave me the opportunity to check in on Townshend Audio, a quirky British manufacturer of audio gear best known for its well-engineered and very effective isolation products. I've always respected the engineering that went into the development, and liked their "luxurious execution meets form follows function" aesthetic. I've always smiled too, at their straightforward, almost simplistic approach to marketing, one that assumes customers will use logic and common sense to make purchase decisions. The Townshend products in use included $2650/pair Seismic Podiums under the speakers, a $795 Seismic Platform under the amps, and several Seismic Pods at $150/each.

There were multiple world and North American premieres in the large room shared by JMF Audio and Ideon Audio. The exhibit was set up by the two companies' North American distributor, Michael Vamos's Audio Skies, in cooperation with Michael Farnsworth's dealership, Farnsworth Audio, of Draper, UT.

For the second year in a row, the first room at PAF I entered was dominated by Dan Wright's ModWright equipment. Presented in equal partnership with Seattle HiFi, who carries all the components on active display, the room was headed by ModWright's new KWA 99 fully balanced, class-AB, compact MOSFET monoblocks ($7500/pair introductory price—normally $9000). Mated with the matching LS 99 fully balanced tube preamplifier ($6500 introductory price), the system produced extremely quiet, absolutely lovely sound. This was a great start to the show.

Spatial Audio Lab may have considered its main suite on the 13th floor of the hotel's tower, but its second exhibit in room 2210 offered plenty to love. I was taken in by the wonderful clarity, excellent depth, and openness delivered by Spatial's Q6 prototype open-baffle loudspeakers ($4995/pair and expected in August). Infected Mushroom's "Avratz" was a knockout.