AXPONA 2025

Cliff Duffey, TJ Goldby, and Steve Huntley of AXISS Audio aren’t just savvy representatives—they’re passionate advocates for the high-end brands they carry. Their rooms at AXPONA reflected care, from product selection to well-curated playlists that demonstrated a serious grasp of what makes music sound alive.

I’ve commented on this combination so often—five of these eight brands occupy my music room—that I didn’t linger long in Quintessence Audio’s excellently assembled “Knowledge” room. That didn’t stop me from admiring the contrast between the riveting yellow finish of Wilson Audio’s Chronosonic XVX loudspeakers ($387,000/pair) and the bold black-and-copper livery of Dan D’Agostino Master Audio Systems’ Relentless M800 monoblocks ($195,500/pair). I began to wonder if the lovely blue of my Wilson Alexia Vs is a bit too sedate. When I chose my speakers’ finish I almost opted for the perfect shade of orange—bolder, like the XVX’s yellow—and now I wonder what the past few years might have sounded like had I gone that route.

AXPONA 2025 had the world premiere of ATC’s most compact active speaker, the ATC SCM20ASL ($9999–$13,499/pair, depending on finish). Designed for small to medium-size rooms, the sealed two-way speaker is hand-built in England and includes ATC’s proprietary 6" "Super Linear" mid/bass driver and 1" "S-Spec" dual-suspension tweeter. Both are powered by onboard class-A/B MOSFET power amplifiers that deliver 200W and 50W of continuous power to the bass and HF drivers, respectively.

In room 1521, I caught up with Wayne Colburn—longtime preamp wizard for Pass Labs (and Threshold Audio before that)—and Kent English, the company’s veteran head of sales. Colburn was debuting his new 85 lb XS Pre 2 line-stage preamp ($55,000), which he called a step up from the XP-32.

For years, my Stereophile colleagues have laid claim to Zesto Audio’s exhibits; so at this AXPONA, I was glad to cover a room where I could enjoy Zesto’s sparkling tube sound again.