Music copyright issues have been in the new of late, with the RIAA and music labels looking for stricter laws, and many consumer groups looking for more slack. What are your feelings about copyright when it comes to music?
Reader Dennis de Chiara notes that high-end audio is a relatively small community with many approachable personalities. So he wonders if any readers have actually met the designers or manufacturers of the equipment they own?
Nobody would claim that Web radio sounds great, but sometimes you can't beat the Internet for variety and convenience. Do you ever listen to online "radio"?
Reader Gerald Neily is curious about the control issues our readers have. He would like to know if you use a remote with your audio system, and if so, how do you use it?
We'd like to know how many of you who visit this website also subscribe to <I>Stereophile</I> magazine.
Many observers claim that high-end audio is an older person's passion, and that the youth of today are too enamored with third-rate MP3 sound and convenience. How can young listeners be brought into the high-end audio fold?
With the advent of home theater and Internet audio, doomsayers claim that high-end audio's days are numbered. But new high-end audio companies seem to appear at a rapid clip, and vinyl continues to thrive. So is high-end audio gasping for breath or breathing easy?
The record companies have agreed to create a new format called <A HREF="http://www.stereophile.com/news/080904dualdisc/" TARGET=NEW>DualDisc</A> to allow a CD on one side and a DVD video or audio program on the other. What do you think of the idea?
In the "Letters" section of the September 2004 issue of <I>Stereophile</I>, veteran audio engineer Richard Burwen essentially says that some audiophiles like tube amps because they act as tone controls. Do you agree?
We'll get to your least favorite next week, but this week, we want to know what your all-time favorite equipment review in <I>Stereophile</I> has been