Recording of the Month

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Recording of September 2019: Higher

Patricia Barber: Higher

Patricia Barber, piano & vocals; Patrick Mulcahy, bass; Jon Deitemyer, drums; Neal Alger, acoustic guitar; Jim Gailloreto, tenor saxophone

ArtistShare AS01712 (CD). 2019, Patricia Barber, prod.; Martha Feldman, assoc. prod.; Jim Anderson, rec. and mixing eng.; Bob Ludwig, mastering eng. DDD. TT: 55:18

Performance *****

Sonics ****½


As a singer and writer, Patricia Barber has never been easy to define. In the audiophile world, she's too often defined—and her brilliance obscured—by her ubiquity at audio shows and her regrettable membership in a sorority of generic, well-recorded "female vocalists." But in what idiom?

Recording of August 2019: Henry Brant: Ice Field

Henry Brant: Ice Field

Cameron Carpenter, organ, San Francisco Symphony, Michael Tilson Thomas, Edwin Outwater, Conds.

SFS Media SFS 0075 (24/48 WAV). 2019. Jack Vad, prod, and eng.; Roni Jules, Gus Pollek, Jonathan Stevens, Denise Woodward, supporting engs.; Jack Vad, Mark Willsher, John Loose, Atmos post-prod. DDD. TT: 24.31

Performance *****

Sonics *****


Even though Henry Brant's mind-boggling Ice Field for orchestra and organ won the Pulitzer Prize for Music in 2002—the year after its premiere—and years later was revisited by the San Francisco Symphony, for which it was commissioned, no recording format has succeeded at capturing its musical and spatial wonders. Until now.

Recording of July 2019: Takin' Off

Herbie Hancock: Takin' Off

Herbie Hancock, piano; Freddie Hubbard, trumpet; Dexter Gordon, tenor saxophone; Butch Warren, double bass; Billy Higgins, drums.

Blue Note Records 84109 (LP), 1962, 2019. Alfred Lion, prod.; Rudy Van Gelder, eng.; Don Was, Cem Kurosman, reissue prods.; Kevin Gray, reissue eng. AAA. TT: 39:01

Performance ****

Sonics ****½


From 1962 until now, and counting all formats except downloads, there have been no fewer than 62 releases of Herbie Hancock's debut album, Takin' Off—more than any of his other albums except Maiden Voyage (1965) and Head Hunters (1973). This issue's Recording of the Month comes from an ambitious project referred to by Blue Note Records as the Blue Note 80 Vinyl Reissue Series, which is distinct from the company's Tone Poet Audiophile Vinyl Reissue Series, described in Sasha Matson's interview with company President Don Was in the May 2019 Stereophile.

Recording of June 2019: Carnival: The Sound of a People, Vol 1

Etienne Charles: Carnival: The Sound of a People, Vol 1

Etienne Charles, trumpet, percussion; Brian Hogans, Godwin Louis, alto saxophone; David Sánchez, tenor saxophone; Sullivan Fortner, James Francies, piano, Fender Rhodes; Alex Wintz, guitar; Luques Curtis, Russell Hall, Ben Williams, bass; Obed Calvaire, drums; D'Achee, congas. With: Claxton Bay Tamboo Bamboo, Laventille Rhythm Section, other percussionists.

Culture Shock EC007 (2 LPs). 2019. Etienne Charles, prod.; Glenn Brown, Christian Burkett, David Darlington, Mark Wilder, engs. DDA. TT: 67:20

Performance ****

Sonics ****


Etienne Charles, the Trinidadian trumpeter, percussionist, and Guggenheim fellow, has a knack for album concepts. His 2013 album, Creole Soul, starts with an incantation from an actual Voodoo priest and goes on to cover Creole-influenced tunes from Bob Marley and the Mighty Sparrow. Thelonious Monk is also in the mix, with his "Green Chimneys," which features a calypso melody Charles speculates Monk first heard in New York's San Juan Hill, a Caribbean neighborhood where Monk lived for a while.

Recording of May 2019: Never the Same

Francesco Diodati Yellow Squeeds: Never the Same

Francesco Diodati, electric & acoustic guitar, gongs; Francesco Lento, trumpet; Glauco Benedetti, tuba, valve trombone, flute; Enrico Zanisi, piano, Fender Rhodes, synths; Enrico Morello, drums, gongs

Auand AU9080 (CD). 2019. Francesco Diodati, Marco Valente, prods.; Stefano Del Vecchio, Roberto Lioli, engs. DDD. TT: 44:24

Performance ****½

Sonics ****


Guitarist Francesco Diodati is one of the freshest voices to enter jazz in the new millennium. If this news comes as a surprise, you probably live in the US. A disproportionate amount of the innovation and energy within America's only indigenous art form now comes out of Europe. Most of the American jazz community has not gotten the memo.

Recording of April 2019: Here If You Listen

David Crosby: Here If You Listen

BMG 538431461 (LP), 538429532 (CD), none (FLAC 24/48). 2018. David Crosby, Michael League, prods.; Fab Dupont, prod., eng., mix; Josh Welshman, eng.; Greg Calbi, mastering. ADD/DDD. TT: 45:08

Performance ****

Sonics *****


In 1967, the year the Byrds would fire him, David Crosby sits in a room—a small space, from the sound of it—with a cheap microphone and a recorder of dubious merit. He's improvising some jazzy, open-tuned acoustic guitar strumming, adding nonlexical vocables on top. He then files away the resulting tape—clearly ahead of its time and of no use to his bandmates—for 50 years.

Bonus Recording of March 2019: Vivaldi Arias

Vivaldi: Arias

Cecilia Bartoli, mezzo-soprano; Jean-Christophe Spinosi, Matheus Ensemble

Decca 002932502 (24/96 download, CD). 2018. Arend Prohmann, prod., ed.; Philip Siney, eng.; Claudio Becker-Foss, asst. eng. DDD. TT: 58:27

Performance *****

Sonics ****


Stereophile occasionally awards a Joint Recording of the Month, and Cecilia Bartoli's second recording of Vivaldi arias deserves no less.


Though we don't know over how long a period Bartoli recorded this album's 10 tracks, she finished the project with Jean-Christophe Spinosi's Ensemble Matheus, a baroque group, in 2018, when she turned 52. I defy you to hear any trace of age in her voice. The singing is limpid and seamless, with rapid, wide-spanning coloratura runs flawlessly dispensed, and the longest of long-breathed lines produced with little to no apparent effort.

Recording of March 2019: Hespèrion XXI & Jordi Savall Ibn Battuta: The Traveler of Islam 1304–1377

Hespèrion XXI & Jordi Savall: Ibn Battuta: The Traveler of Islam 1304–1377

Music of Afghanistan, Bagdad, China, Granada, India, Mali, Morocco, more

Alia Vox AVSA9930 (24/88.2, 2 SACDs). 2018. S.L. Sonjade, prod.; Harry Charlier, Manuel Mohino, engs. DDD. TT: 2:27:04

Performance *****

Sonics ****


Sixty years after Italian explorer and merchant Marco Polo chronicled his journey to Asia, Tangier-born Abu Abdallah Ibn Battuta (b. 1304, d. 1368–1377) spent close to 30 remarkable years traveling to what were then the four corners of the earth. Following the words of Muhammad, Prophet of Islam, to whom is attributed the dictate "Seek knowledge even unto China," Ibn Battuta was only 21 when his desire for knowledge and learning propelled him on a quest far longer and wider-ranging than Polo's.

Recording of February 2019: The Beatles—50th Anniversary Edition

The Beatles: The Beatles—50th Anniversary Edition

Apple B0028831-01 (2 LPs). 1968/2018. George Martin, orig. prod.; Geoff Emerick, orig. eng.; Giles Martin, reissue prod., remix; Sam Okell, reissue eng., remix; Miles Showell, mastering. ADA. TT: 93:27

Performance *****

Sonics *****


The Beatles, aka the "White Album," was first released on November 22, 1968. On November 9, 2018, in honor of that event, Apple Corps Limited issued the new 50th Anniversary Edition. My comments here refer to listening to the two-LP edition of the newly remixed The Beatles, pressed for Apple by Quality Record Pressings. Also included in three other varying editions are 27 of what are now known as the Esher Demos, 50 out-takes and alternate takes, and a 5.1-channel hi-rez surround mix on BD.

Bonus Recording of January 2019: Bruckner: String Quintet

Bruckner: String Quintet (arr. for Large Orchestra), Overture in g

Gerd Schaller, arr., cond.; Prague Radio Symphony Orchestra

Profil PH16036 (CD). 2018. Milan Puklický, prod.; Jan Lzicar, eng. DDD. TT: 57:12

Performance ***

Sonics ****


Bruckner & Mahler: String Quintet (arr. for Chamber Orchestra) & Symphony 10: Adagio

Peter Stangel, arr., cond.; Pocket Philharmonic Orchestra

Edition Taschenphilharmonie/Sony ETP008 (CD). 2017. Sebastian Riederer von Paar, prod., eng., ed. DDD. TT: 59:12

Performance ****

Sonics ****


Bruckner's only mature chamber work, the String Quintet in F, has long sounded to many less like chamber music than like a Bruckner symphony squeezed into far smaller form. It's long, follows Bruckner's version of classical symphonic form, and is as meticulously composed and as contrapuntally intricate as his far larger-scaled symphonies. Like many of those, it has an alternate movement, an Intermezzo. In tenderness and poignancy, the Quintet's warm Adagio is close enough in depth and quality to its counterparts in Bruckner's symphonies 00 through 5 that it now exists in at least 11 arrangements (none by Bruckner) for string orchestra; three of those, the most popular being Hans Stadlmeier's, include the Quintet's three other movements.

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