Interviews

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BATmen: Victor Khomenko & Steve Bednarski

Victor Khomenko, the "VK" of Balanced Audio Technology's VK-5 preamp and VK-60 amplifier, was born in St. Petersburg (then Leningrad), and grew up two blocks from the Svetlana tube factory. He attended the prestigious Leningrad Polytechnic Institute and received an M.S. in physics and electronics, specializing in electronic emissions. He spent his early working life in the Russian electronics industry, then emigrated to the US in 1979—with $400, a family, no home, and no job.


Rolf Gemein: the Heart of the Matter

I'm not sure why, but people tell me things. Maybe it's because they realize I listen. They reveal themselves, sometimes in charming and unexpected ways. So I was almost prepared for my three-way conference call with the designer of the Symphonic Line Kraft 400 power amplifier, Rolf Gemein, in Germany and Indianapolis-based importer/distributor Klaus Bunge. I started by asking Rolf about his design philosophy . . .

The Single-Ended Amplifier: Cary's Dennis Had

Cary Audio Design founder Dennis Had is largely responsible for popularizing single-ended amplifiers in America. Since appearing on the scene in 1989, Cary Audio Design has forged its own niche in the high-end audio industry. I spoke with Dennis Had about how he got started building amplifiers, and why he's so committed to single-ended triode designs.


HDCD: Keith Johnson, Pflash Pflaumer, Michael Ritter


The men behind HDCD (L–R: Pflash Pflaumer, Michael Ritter, Keith Johnson


High Definition Compatible Digital® (HDCD®), the proprietary process for improving the sound of 16-bit digital audio, has finally arrived. More than a dozen digital processors using the technology are on the market, and the professional encoder used to master HDCD discs is following closely behind.

John Ulrick

It was with regret that I heard John Ulrick had passed away on May 20, 2015 due to complications from cancer. With Arnie Nudell and Cary Christie, John was one of the founders of loudspeaker manufacturer Infinity, a company that, with Audio Research, Magnepan, Mark Levinson, and Threshold, epitomized the nascent High End that emerged in the early 1970s. After leaving Infinity, John Ulrick started Spectron, to manufacture class-D amplifiers.


Just by chance, I met with the John Ulrick, in Los Angeles in late 1987, when he was doing some design consultancy on a switch-mode power amplifier to be used with the Sumo Samson subwoofer. As I had my Walkman Pro with me, I took the opportunity to tape some background from John about the birth of Infinity and about switching/pulse-width-modulated/class-D amplifiers—boy, can this man talk about switching amplifiers! The natural kickoff question was, How did Infinity get going?

Cary Christie: from Infinity to Artison

95christie.250.jpgWhen Cary Christie, Arnie Nudell, and John Ulrick founded Infinity Systems more than 25 years ago, high-end audio as we know it today didn't exist. Hi-fi was audio, though the reverse wasn't necessarily true.


Through the growth years, Infinity became a major force in the High End. Cary Christie is the only one of the original players still associated with Infinity in 1995, now part of Harman International. His relationship, however, is now as an independent designer and consultant with Christie Designs, Inc. (footnote 1). I corralled him by phone on a clear fall day in Santa Fe, and a snowy one at his home near Lake Tahoe, Nevada. I asked him how Infinity had started.

Arnie Nudell: From Infinity to Genesis

Arnie Nudell is one of a handful of designers who could justifiably be called founding members of the high-end audio industry. With Cary Christie, and John Ulrick, Arnie co-founded Infinity in his garage in 1968 and recently joined forces with Paul McGowan, the co-founder of PS Audio, to create Genesis Technologies, the Colorado-based company formed to build ultra–high-end loudspeaker systems.


I visited the Genesis factory in September 1994 and spent some time with Arnie and Paul discussing loudspeaker and amplifier design, and high-quality music reproduction. I asked Arnie how he became involved in high-end audio.

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