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Conflicting Data?

Last week, www.stereophile.com posted an article concerning Pollara, Inc.'s Canadian Recording Industry Association–commissioned 144-page">http://www.stereophile.com/news/032006cria/">144-page report on the downloading habits of Canadian music consumers. We reported that the University of Ottawa's Dr. Michael Geist interpreted the Pollara data differentlyhttp://michaelgeist.ca/component/option,com_content/task,view/id,1168/I…; than the polling group did, in particular noting his conclusion that people who had downloaded music had legally purchased more music than their counterparts who had never done so.


Industry Update

Meet the new boss: Harman Specialty Group, the division of Harman Consumer Group responsible for the Mark Levinson, Revel, and Lexicon brands, has a new president. John Batliner is a 12-year veteran of the company, and, most recently, executive vice-president of HSG. Wayne Morris, current president of the company, will remain active until the end of April.


CES Moves High-Performance Audio Exhibits

The Consumer Electronics Association (CEA), the producer of the International Consumer Electronics Show (CES), has finally confirmed the rumors that have been circulating for many weeks: The industry sector that CEA terms "high-performance audio" will move from its customary venue at the Alexis Villas (originally the Alexis Park) to the Venetian Hotel in 2007. In addition, "high-performance audio" and "high-performance home theater" will now be represented under the same umbrella.


von Lohmann Gives Us the Low-Down

Last week, the Electronic Frontier Foundation's (EFF) Fred">http://www.stereophile.com/news/031306eff/">Fred von Lohmann talked with us about how fair use created unexpected riches for Hollywood, created the iPod boom, and how dismantling it could prove disastrous for consumers. This week, we resume that conversation with a discussion about digital rights management (DRM) and why the computer industry is willing to support it, even though its consumers never asked for it.


Stereophile Writers at Cornell

Stereophile's senior contributing editor, Michael Fremer, and the magazine's editor at large, Art Dudley, are both giving presentations this spring at Cornell University in Ithaca, NY. Michael appears on Tuesday, March 28, followed two weeks later, on April 11, by Art Dudley.


CRIA Study Reveals Some Interesting Information

The Canadian Recording Industry Association (CRIA) commissioned a new 144-page report of radio and consumer survey results, based on data collected between February 17 and 22 by Pollara, Inc. in 1229 telephone interviews with respondents above the age of 13. The purpose of the study was to collect data that the CRIA could submit to the Canadian Radio-Television and Telecommunication Commission's (CTRC) Commercial">http://www.crtc.gc.ca/archive/ENG/Hearings/2006/n2006-1.htm">Commercial Radio Review. (For those interested in reading all 144 pages, click herehttp://support.crtc.gc.ca/applicant/docs.aspx?pn_ph_no=2006-1&call_id=2…; and download "Appendix A.")


Industry Update

Krell restructures S&M: Dean Roumanis, Krell's Chief Operating Officer, announced March 14 that the company had restructured its sales and marketing department to "enable [Krell] to continue to grow our business by maximizing the skills of our personnel."


Naxos abandons SACD?

After learning from John Sunier, publisher of Audiophile Audition, that Naxos, the largest classical label in the world, was expected to cease producing SACDs and DVD-As, I checked with their national publicist, Mark A. Berry. He in turn sought confirmation from Naxos' founder and chairman, Klaus Heymann.


Minnesota Orchestra Streams Concerts on Demand

The Minnesota Orchestra has become one of the first symphony orchestras in the US to archive selected broadcasts for online streamed listening on demand. Through an arrangement with Minnesota Public Radio (MPR), which has broadcast virtually every Minnesota Orchestra concert since 1974, the performances are now available for up to a year's time at www.mpr.org/minnesotaorchestrahttp://www.mpr.org/minnesotaorchestra">www.mpr.org/minnesotaorchestra;.


On the Fair Use Frontlines

As anyone who reads this website is all too aware, these days legislative matters increasingly encroach upon audiophiles' ability to experience uncompromised high fidelity. Like it or not, political decisions can and do have an impact on what we listen to and how we are able to manipulate our music after we have purchased it.


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