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Buy Hi-Fi and Feed the Hungry

Once again, audiophiles can help themselves and others at the same time by participating in The Cable Company's ninth annual "Summer Against Hunger" campaign. The">http://Usedcable.com/">The Cable Company and a wide cross-section of its vendors (listed below) have set up a program by which up to 10% of The Cable Company's August sales are donated to CAREhttp://www.careusa.org/">CARE; and the International">http://www.theirc.org/">International Rescue Committee, with contributions to be used to assist the worldwide disaster relief efforts of those humanitarian organizations.


Music Biz Pins Hopes on DualDisc

Is there a future for high-resolution audio? Will the music industry survive as a packaged-goods business? The answer to both of these questions is "Yes, probably . . ." if the DualDisc follows test market indications and become next year's must-have entertainment format.


Done Deal: Sony BMG

Now there are four. The music industry's "Big Five" record labels officially became the "Big Four" on Thursday, August 5, as Sony Music Entertainment and Bertelsmann Music Group (BMG) finalized a merger months in the making. The partners are the music divisions of Sony Corporation and German media conglomerate Bertelsmann AG, respectively.


Driving the Digital Den

The advent of ubiquitous online digital audio file availability, not to mention a growing number of ways to effectively use a computer to organize and store a media library, has prompted futurists to begin declaring this the eve of the "digital den" era.


Apple vs RealNetworks

A move by RealNetworks to cut the umbilical cord between Apple's iPod and the company's iTunes Music Store has raised the ire of some execs in Cupertino. The computer pioneer is threatening legal and technical retaliation against its Seattle rival in the wake of a late July launch of a digital music technology called Harmony that enables the iPod to work with downloads from RealNetworks' music store.


Project K622

Since it has been five years since the debut of SACD, one might think that the debate as to where it fits within the audiophile food chain would have been put to rest. But as with most things audio, reality conspires to make rational comparisons between formats tough. One is never sure if two releases on different formats have been rendered from the same source, or, as">http://www.stereophile.com/news/11649/">as we discovered with the recent Dark Side of the Moon hybrid SACD, from completely different masters.


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