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Rundgren: Musicians Will "Fish" for Fans on the Internet

In the age before recordings, music was a service business. Composers wrote for their patrons, and musicians performed for money. In the days since Edison's inventions, music has become a commodity business in which record companies stockpile large inventories and attempt to move them into the market of music lovers through a dense network of distributors and retailers. For established artists, the service aspect of music---playing for pay---now exists primarily to support the commodity business. For developing artists, public performance is a form of self-promotion to aid the search for a recording contract.


A Note to International Subscribers

I have been informed that there was a serious error at the shipping department. The September and October issues of Stereophile and Stereophile Guide to Home Theater have been sent via a very slow shipping method. This was due to a misunderstanding between the magazines' new printer and the new subscription mailing house.


MP3 Association Formed

Hot on the heels of a favorable RIAA/Rio decision (see related">http://www.stereophile.com/news/10299/">related story), five of the pioneers in the rapidly expanding market for downloadable music---GoodNoise">http://www.goodnoise.com">GoodNoise Corp., MP3.comhttp://www.mp3.com">MP3.com;, MusicMatchhttp://www.musicmatch.com">MusicMatch;, Xing">http://www.xingtech.com">Xing Technology Corp., and Diamond">http://www.diamondmm.com">Diamond Multimedia Systems, Inc.---announced the formation of the MP3 Association, an industry trade group focused on the "continued evolution and adoption of the MP3 (MPEG 1 or 2, Layer 3) standard." The Association will focus on three primary goals: promoting MP3 technology as the next-generation digital music format, educating consumers about MP3 and its legal use, and opening new creative avenues for musicians and developers.


Are You Listening to a Radio Station Right Now?

The Internet is having a startling effect on radio, as evidenced by a new report released by The">http://www.arbitron.com">The Arbitron Company, entitled "Arbitron Internet Listening Study: Radio in the New Media World." Arbitron concludes "that Internet broadcasting is a fast-growing medium which presents both challenges and opportunities for radio broadcasters."


Judge Reverses Injunction: Rio is Back in Action

For the past three weeks (see previous">http://www.stereophile.com/news/10291/">previous article) we've been reporting on the troubled plight of Diamond">http://www.diamondmm.com">Diamond Multimedia's new Rio portable MP3 audio player. Announced in grand fashion by Diamond several months back, the Recording">http://www.riaa.com">Recording Industry Association of America (RIAA) quickly set its sights on the device, and fired what it hoped would be a fatal shot in the form of an injunction. The RIAA appeared to have succeeded until last week, when US Central District Court California Judge Audrey Collins reversed her initial ruling from 10 days earlier of an injunction, paving the way for the product's release this month. Both the RIAA and the Alliance of Artists and Recording Companies (AARC) are planning an appeal.


Rock and Roll Will Never Die!

Cleveland's WMMS-FM built an enormous following of loyal fans by cranking out a steady stream of rock'n'roll---a stream now 30 years old. "The Buzzard," as the station at 100.7MHz is known, rode the wave of rock's ascendancy, and pioneered the classic rock format---one instantly recognizable by the heavy rotation of the recordings of such groups as Led Zeppelin, the Rolling Stones, Pink Floyd, the Allman Brothers, Aerosmith, Bruce Springsteen, the Cars, Kansas, Boston, and Journey. Every major city in the United States has at least one such station. Throughout the '70s, '80s, and '90s, WMMS won generations of rock fans with its midday concerts and kept them tuned in with its unwavering dedication to heavy rock. The station was instrumental in winning the Rock'n'Roll Hall of Fame and Museum for the city of Cleveland.


Music Choice, Fantastic Corp. Sign Deal for Europe

More European music lovers will soon be able to enjoy the offerings of Music Choice, a leading provider of audio and data services. Zug, Switzerland-based The">http://www.fantastic.com/">The Fantastic Corporation announced an agreement October 28 with Music Choice that will expand the musical options for computer-equipped music fans in Great Britain, Italy, Germany, Switzerland, and other countries.


CDNow and N2K to Merge

The rumors were flying all week, and this time they proved to be true: CDNow">http://www.cdnow.com">CDNow Inc. and N2K">http://www.n2k.com">N2K Inc. jointly announced the signing of a definitive merger agreement on October 23. Both companies are well-positioned in the online music retail business, but face ever-increasing threats from new online rivals such as Tower Records and Virgin, as well as the ominous presence of Amazon.com who recently jumped into the online music business.


The Academy Advancing High Performance Audio And Video To Sponsor Trade Days At HI-FI '99

Petersen's HI-FI Show management announced October 22 that The">http://www.avacademy.com/">The Academy Advancing High Performance Audio and Video will be sponsoring Trade Days at HI-FI">http://www.hifishow.com">HI-FI '99, The Home Theater and Specialty Audio Show, taking place at the Palmer House Hilton in Chicago from May 11 to May 13, 1999. This marks the fourth consecutive year that The Academy has sponsored Trade Days at the HI-FI Shows. Show management and The Academy also announced today that the Music and Film Seminar Series will be expanded in 1999 to a two-track educational program. Each track will consist of the five disciplines showcased at the Seminar Series in 1998: Sales Techniques, Digital Technologies, Room Acoustics, Video Technologies, and Multi-room Design and Installation.


Stereophile has a new publisher, John B. Gourlay

When Petersen Publishing purchased Stereophile, Inc.'s assets on June 1 of this year (see previous">http://www.stereophile.com/news/10183/">previous story,) previous co-owners Larry Archibald and John Atkinson remained with the magazine. Whereas JA's responsibilities as Stereophile editor have remained the same as they had been, Larry Archibald's position changed considerably. He retained his masthead title of publisher (with the December issue it changes to "publisher emeritus"), but in reality, Larry has been more like "magazine spokesman and general factotum" since the purchase.


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