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Valve Audio Company (VAC) and Von Schweikert


Hanging at the bar at the Hilton Twinbrook, one hears stories of audio deals gone bad, an actor absconding with a $500,000 system to an unknown Mexican destination, or sordid tales of a peeved player spiting bile at an unknowing colleague. Then there's show organizer Gary Gill, whose upbeat, generous persona is a prime contributor to the success of the Capital Audiofest.


Another valued player, who possesses a sense of inner calm I wish I could generate, is Valve Amplification Company President Kevin Hayes, one of our industry's good guys since his company's founding in 1990.

Justin Webber's Ampsandsound


Ampsandsound is perhaps best known for his amplifiers made to drive either headphones or loudspeakers. (See for example Herb Reichert's Gramophone Dreams #47.) At this show, however, Ampsandsound manufacturer/designer Justin Weber was showing his Arches monoblocks ($50,000/pair), which put out up to 65W each with KT-88 tubes or 85W each with KT-150 tubes.

Treehaus Audiolab


Can you judge an exhibitor's products by the music he plays? Perhaps not, but when I walk into a room playing "Hotel California," that mad percussion ditty "Music for Bang, Baa-Room and Harp," 90s grunge (footnote 1), or God No! Jazz at the Pawnshop, it's all I can do to stay put and not scream.

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