AXPONA 2011

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High Water Sound: The All-Important Tear Factor

Although this photograph doesn’t express much of the equipment in Jeffrey Catalano’s High Water Sound suite, it does give some sense of the room’s vibe: warm, relaxed, soothing, effortless, lit with gold.


I smiled when I saw the great stacks of vinyl propped up against the room’s side wall&#151far more vinyl than can possibly be played during a 3-day event, one might think; but, if anyone could get through all of those sides, it would be Jeffrey Catalano.


I’ll happily confess now that I failed to do my job while in this room. I saw Catalano sitting there in the front row, looking forward, contemplating the music, and I thought about going up to him, asking him for details on the system&#151What are we listening to? What’s new?&#151but there was something so right about the scene, about the sound, about the moment, that I just couldn’t bring myself to cause a disruption. I’m sorry.


The system, Catalano later shared with me via e-mail:

The Perfect Nightcap

Pretty freaking drained at the end of a very long Saturday, I walked into the Capitol Ballroom and was surprised to see a live band&#151from outside the room, I had wondered if the music was being produced by some very fine hi-fi that I had somehow missed. (Funny, huh?)


Even more surprising was to see John Atkinson on stage, playing a smoking blues riff on the fretless bass. Joining JA were John Yurick on piano, Spiral Groove’s Allen Perkins on drums, and show organizer Steve Davis on guitar and vox.


After a few rocking numbers, Balanced Audio Technology’s Geoff Poor strolled up to the mic and let loose a few jazz standards. “This next song requires some audience participation,” Poor said. “It requires you to drink.”


Ready for a beer, JA gave way to Dean Peer on bass, and the band continued to rock and sway, providing the perfect nightcap to a long day.

Role Audio’s Earth-Friendly Designs

I enjoyed speaking with Role Audio’s Erol Ricketts, who is proud of his company’s formaldehyde-free designs. After researching the harmful effects of heavy exposure to toxic substances such as formaldehyde, Ricketts decided it would be best for his own health, and for the health of his company, family, and planet, to manufacture a new sort of loudspeaker, one with a small, and environmentally friendly, footprint.


Because Role Audio believes hi-fi should aid in the discovery of new music&#151a philosophy I hold dearly&#151all of the company’s products are named after ships, vessels for discovery. The slim Sampan ($1400/pair) measures just 4” W by 4” D by 37” H, and uses a single 3.5” driver in a transmission line design. Mated to a Peachtree Audio iDecco, the system impressed me with its transparency and solid stereo imaging; these speakers “disappeared” like no others I heard at the show.

A View of Downtown Atlanta

I didn’t get to see much of Atlanta while at the show, but what I did see was beautiful. During breakfast one morning, a member of the Atlanta Audio Video Club led me outside to a quiet balcony where we enjoyed this view of the Atlanta skyline.


That UFO-shaped structure near the center of the image is the revolving restaurant, Polaris, atop the Hyatt Regency, on Peachtree Street in downtown Atlanta. Designed by John C. Portman, Jr., the Hyatt Regency was opened in 1967, and was the first hotel constructed around an atrium.

Hi-Fi in Miniature: The McIntosh MXA60

Sound Ideas Stereo, a hi-fi dealership based in Gainesville, Florida, used a McIntosh MXA60 ($7500), “a full-blown McIntosh hi-fi in miniature,” to pump music into the long and busy corridor between the large Atlanta rooms and the great Capitol Ballroom, where seminars and live performances took place daily.


At any given moment during the show, I could pass by this exhibit to hear sweet sounds and smile at the lovely ladies who seemed enchanted by the MXA60.

John Atkinson on Speaker Measurements

In just a couple of weeks, my boss, John “Ice Cool” Atkinson, will celebrate 25 years as editor of Stereophile, the greatest hi-fi magazine on the planet (and don’t you forget it). As editor, JA has refined the hi-fi industry in many ways, and has taught us all so much, but it’s perhaps his loudspeaker measurements which have been most influential and fascinating.


In these 25 years, JA has performed extensive technical analyses of well over 700 different loudspeakers, an accomplishment that, in my opinion, cannot be overestimated. On several occasions, I’ve had the privilege of watching John go through the process&#151a slow, long, often tedious, often thankless process, and one which often involves some very heavy lifting. The dude is tireless.


So, it was cool for me to see a large group of audiophiles and music lovers on hand to listen as JA discussed that process in detail, illuminating how and why he does what he does. “I’ll describe what I do,” he said, “what the measurements mean, what they don’t mean, and how we can use them to understand what we hear….”


That’s my boss!

’Cause I’m TNT, I’m Dynamite: The Audio Power Labs TNT 833

There was nothing dirty, mean, or mighty unclean about the Audio Power Labs TNT 833 monoblock power amplifier, a pure class-A, push-pull design rated to deliver 200W into 8 ohms. Each amp weighs 160 lbs and uses 833C output tubes, 6550 driver tubes, and 12BH7 pre-driver tubes. The price will be somewhere between $150,000–$170,000/pair.


The system, including an Audio Research LS27 preamplifier, Musical Fidelity M6CD CD player, Vandersteen 3A loudspeakers, and aided by an array of RealTraps room treatments, produced big, robust voices, and had a good sense of musical flow.


Audio Power Labs’ Clyde Holobaugh confessed that the TNT 833 has been “a labor of love,” requiring over two years in design and development. His goal was to build a class-A, push-pull design that would be powerful, while also eliminating distortion.

WS Distributing

In his WS Distributing room, Tom Myers had set up a system made of a Vincent CD-S7 CD player (available now for $2199.95 in black or silver), Thorens TD 2030 turntable with blue acrylic plinth ($3699) and Benz Ace cartridge ($700) , Vincent amplification, and Thiel SCS4 loudspeakers on Pangea speaker stands. With its top-to-bottom coherence, the system was easy to enjoy. Moving from the Vincent CD player to the Thorens turntable added measures of body and scale, which I found even more involving.

Pride and Service from Emotiva

A few weeks ago, I had the pleasure of meeting with Dan Laufman, founder of Emotiva, and his daughter, Jessica, Emotiva’s new marketing director. So, what I’m about to say has nothing to do with business, but, then again, maybe it does: Sitting there at our dinner table, across from Dan and next to Jessica, I was soon struck by the genuine warmth, care, and admiration the two held for one another. It was sweet. And, over the course of our meal, I bought into Dan Laufman’s discussion of his company’s core values: pride, reliability, customer service, building strong relationships with clients, offering high-quality products at affordable prices, sharing a passion for music.


Emotiva’s products have often struck me as cold and unwelcoming&#151odd, because the people behind the products are the complete opposite&#151but I must confess that my opinion has been based more on nomenclature and appearance than anything else. So I was anxious to visit the Emotiva room and listen again, with my revised perspective in place and my skepticism in check...

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