AXPONA 2013

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Excitement from JansZen and exaSound

My first opportunity to hear the exaSound e20 DSD/DXD/PCM DAC ($2500) did not disappoint. The company that self-effacingly identifies itself as "exaSound," with a small "e," played along with surprisingly extended Janszen 2A2.1 electrostatic loudspeakers ($7495/pair),, which are reputedly flat to 40Hz, and the Bryston Power Pac 250 amp ($2350) to deliver a beautiful smooth, wide soundstage on a DSD recording from Channel Classics.

International Phonograph Inc.

I wish I could say something of import about International Phonograph Inc.'s room, which was showcasing the Artisan Fidelity turntable. The marvelous TAD Reference One loudspeakers were mated with Lamm electronics to play master tapes of jazz and other genres. Alas, there was far more talking than music going on when I stopped by, and the promised equipment list never made it to my inbox. Hopefully, others can fill in the blanks in the comments section below.

Can You Hear Me?

The boys from Illinois in the Sonic Hemisphere room were in high sales mode, as in talk loud over the music. Playing their larger Fidelity One 3-way loudspeakers ($5750/pair) with an Oppo CD player, Nottingham turntable, K&K phono preamp, Carey pre-amp, and Clayton Audio amp—models and prices not supplied - the sound was a little shouty, and distant at lower volumes. Offered a "female vocal"—don't you love that term, "female vocal"?—it's as generic as an offer of "red wine" without the vintage—I enjoyed the nice midrange on a track by jazz artist Anne Bisson. The bass boomed, but not to the extent it boomed in some rooms. Not auditioned was the 2-way Fidelity Monitor ($1925/pair).

JPauls Design: Clean and Elegant

JPauls Design of Cary, IL offered a handsome, visually sophisticated set-up that paired Wisdom Audio's L75 loudspeakers ($18,700/pair), SCS subwoofer ($4000), and SC-1 System Controller ($6500) with Krell's Phantom III preamp ($5500), Connect media server ($2500), and Evolution 2250e amplifier ($8000). There was a lot of rapping going on, with music interrupted for explication, but what I heard of Johnny Cash displayed a very warm and inviting midrange. A recording of drums favored slam over transparency and natural timbre.

Sony, Hegel, and Friends

In the room set up by Holm Audio of Woodridge, IL, Sony SS-AR1 loudspeakers ($27,000/pair) dominated a system in which Nordost Odin cabling—Odin power cord ($15,999/2.5m), interconnects ($19,999/2m) and speaker cable ($25,999/2m)—transmitted signals from a Rega RP6 turntable ($1990 with Rega Exact cartridge), Hegel HD25 32-bit DAC ($2500), Manley Chinook phono preamp ($2250), Hegel CDP2A ($2650), Hegel P20 preamplifier ($2900), and Hegel H20 amplifier ($5750). On Randy Crawford's CD, We'll Fly Away, the sound was very smooth and non-fatiguing, but lacked sparkle.

Linn of Oakland

Linn Audio Loudspeakers (not be confused with Linn Products of Scotland) knocked a major $20,000 off the price of their Athenaeum speaker system (normally $80,000/pair) for AXPONA goers. Unfortunately, their associated components—Bryston 4BST power amplifier ($4000), Linn Audio SET Tube Amp ($500), Linn Audio active crossover/preamp unit ($6000), Linn Audio cabling, and unidentified CD source—rendered Diana Krall's voice far too bright and ringing on the bi-amped loudspeakers. Compensation came in the form of a wonderful clarity to her piano and an impressively wide soundstage.

Laufer Teknik Wows

Both at and post-show, Buffer (aka L. Langdon Ergmann, Jr.) was charmingly apologetic. Having read my "As We See It," "There's No Business without Show Business," in the April issue of Stereophile just hours before I walked into his Laufer Teknik room, he knew that his inability to supply a list of components and prices, add a track to his Memory Player from one of my six USB sticks, or even tell me what music was playing on his own music server (as in "We don't have an internet connection, so we can't identify the track") had left him a prime candidate for the Duncecap Dealer of the Day award.

Lighting Strikes Audio Electronics by Cary

In a room shared with Audiogon, Cary Audio constructed a system of lower cost Audio Electronics brand equipment designed and hand built in Apex, North Carolina. With circuit designs less complex than those in traditional Cary Audio components, the line's four components utilize no global feedback, and their audio stages are predominantly class-A designs. New to the line is the Lightning USB 24/192 DAC ($1295). Utilizing asynchronous USB technology from Gordon Rankin of Wavelength, the Lightning is set to strike the market around April 1.

Anything But Vaporware

Handsome Vapor Audio Cirrus Black loudspeakers ($3995/pair)—I don't have a clue as to why speakers of blond wood are named "black," unless it’s a Harry Potter reference—mated with exotically named Arte Forma Due Volta monoblock amplifiers ($5500/pair) and Thalia preamplifier ($2250), a B.M.C. DAC1 ($5690), Antipodes DV2 music server ($3299), Antipodes Reference speaker cables ($2200/set) and interconnects ($1900), Balanced Power Technologies PC-9LN power cables ($499) and BP-3.5 power conditioner ($2399), and ATS Acoustics room treatments to produce sound that I found nicely illumined, albeit a little hard and unyielding. The system may not have penetrated to the heart of the music, but the sound was very attractive, solid, and well-controlled.
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