AXPONA 2019

The 3rd-floor room shared by Schiit and Salk Signature Sound was so crowded the first two times I stopped by that I couldn't listen, But the third time, Béla Fleck's classic "Flight of the Cosmic Hippo" was playing, I snagged a second-row seat and liked what I heard. A big, clean sound from an affordable system. Speakers were Salk's Song3 BeATs ($4495/pair, $4795/pair in custom finishes like those at the show); source was either a Salk Streamplayer Gen III ($1695) feeding Schiit's Yggdrasil DAC ($2395) or an SOL turntable (estimated price $799); phono preamp a Schiit Mani ($129); preamplifier a Schiit Freya ($699); and amplifier a Schiit Aegir ($799).

I had forgotten how dynamic Avantgarde's Uno XD speakers ($32,000/pair) could sound, coupled with a fine delicacy that was in evidence on an SACD track by Jenn Chapin (daughter of Harry Chapin), where Ms. Chapin was palpably placed in the center of the stage, with a double bass on the right and a baritone saxophone on the left. Electronics were all from Esoteric: the new Grandioso P1X SACD transport ($50,000) feeding DSD data to two of Esoteric's new Grandioso mono DACs ($50,000/pair), these all clocked from an Esoteric Grandioso Rubidium Master Clock ($26,000). The transport uses a new mechanism and the D/A processor a fully discrete DAC topology with 64-bit processing.

I admit up front I've been behind the curve in understanding/appreciating the EgglestonWorks house sound. I'm a slow learner, but whenever I finally get something—I've got it. Today, in the room sponsored by retailer Tenacious Sound (with stores in Syracuse, NY, Augusta, GA, Jacksonville, FL, and, soon, Louisville, KY), during the world premiere of EgglestonWorks' very beautiful Nico Evo standmounted speakers, I realized why so many people love this brand . . .

An usually synergistic equipment match ruled the 16th floor room sponsored jointly by Jeff Rowland Design Group, Cardas Audio, Grand Prix Audio, and Vivid Audio. Frankly, I don't think I've ever heard Jeff Rowland's equipment produce such mellow and beautiful sound.

The North American debut of the DeBaer Saphir turntable with Reference power supply ($57,000) and DeBaer 9" Onyx tonearm with VTA adjustment ($7000) and equally pricey Top Wing Suzaku (Red Sparrow) cartridge ($16,500) was the big news in a room that paired Rockport Technologies Cygnus loudspeakers ($62,500) and high-end Argento Audio FMR silver cabling with a full line of CH Precision electronics. Focusing solely on vinyl reproduction during my time in the room, we began with one of the most overplayed audiophile classical demo tracks, the Reference Recordings version of Rimsky-Korsakov's unquestionably exciting but ultimately tedious Dance of the Tumblers. At least it was only the first time I'd heard it at AXPONA.

The new (world premiere) Laufer Teknik The Note loudspeakers ($29,950/pair) are very hard to photograph because they are very thin line arrays comprised of 48 little metal drivers each in a 87"-tall, 2.5" deep, 2"-wide aluminum enclosure that's heated—it is warm to the touch. They disappeared into space while I listened. Their soundstage went out through the wall behind them while the $1600 SVS SP-4000 subwoofer pushed tight bass down through the floor to the basement. Bach's Toccata and Fugue in D minor rattled the walls, but I couldn't "see" the speakers. Think: Skinny speakers make giant sound.

Ever since Magnepan's Wendell Diller married this beautiful former Soviet spy (aka Agent G), he's been doing everything on the down low, hush-hush, totally covert. (Though I must say he does look good in dark glasses.)

This year at AXPONA he has a secret room, at the end of an obscure hall, with no signage. Agent G watches the door from a distance, and you must knock the secret knock to enter.