AXPONA 2022

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Upscale Distribution, Cabasse, Feliks Audio, Kiseki, Pathos Acoustics, PrimaLuna, Sbooster, Tannoy

Upscale Distribution's Kevin Deal brought his posse to AXPONA (left–right: Randy Bingham, Kevin Deal, Craig Hoffman, Alex Brinkman). Though Deal's room was static, he also sponsored legacy French brand, Cabasse, in an adjacent room, where Cabasse representative Jean-Michel Polit demoed the thrilling flagship Pearl Pelegrina loudspeakers ($20,999/pair).

Devialet at AXPONA: Raising the (Sound) Bar

The AXPONA experience is head-spinning in more ways than one. So many rooms, so many people to meet, so much gear to listen to. And so much regret when you realize that you can't fit it all into two or three days, unless each day were to last as long as it does it on Mercury. (Maybe one day we'll have audio shows there—sign me up!)


Another head-spinner occurred Saturday morning when I had to almost forcibly drag myself off the listening couch in the 16th-floor Avantgarde Acoustic room, where dCS front-end gear and a pair of gargantuan Trio G3 horn speakers ($180,000) had bowled me over with perhaps the most heavenly, enveloping sound of the entire show. Why did I leave? Because I had an appointment at the Devialet room on the same floor to listen to...(drum roll) a Dolby Atmos soundbar.

AXPONA 22: The Big Show is Back!

As early as 9AM on Friday, April 22, early registrants began wandering the halls of Chicago's Renaissance Schaumburg Hotel and Convention Center. By 9:30AM, the first semi-crazed rush for vinyl old and new had begun in The Record Fair. And by 10AM, music was resounding in all its glory in the 138 exhibit rooms and 10 floors that comprise AXPONA 2022.

Krell's New Amplifier with the Estelon Forza

The night before AXPONA's official kickoff, Krell's director of product development, Dave Goodman, was still assembling the latest offering from Connecticut's solid-state powerhouse: the yet-to-be-released KSA i400. (With that model name, no prizes for guessing the number of watts per channel.) The Krell and its associated components were set up in a large, cube-like room—on paper, far from ideal acoustically. But what resulted on Friday morning sounded powerful and impressive. I don't mean to say that anything was excessively muscular. Effortless, poised, and relaxed though? You'd best believe it.
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