Aural Robert

All "serious" music fans know pop music is kid's stuff: too simple, too accessible, the embodiment of that cringeworthy moniker "disposable." But pop music is also what keeps the lights on in the music business, selling gobs of streams, merchandise, and concert tickets. And hasn't that always been the case?

Over the past 40 years, R.E.M.'s 1983 full-length debut, Murmur, has come to seem ever more timeless. "There's something very special about that record that you can't put into words exactly," mused Don Dixon, who coproduced Murmur and its follow-up, Reckoning, in a recent interview.

Pittsburgh has played a very meaningful if largely ignored role in the history of jazz. Known more for steel and sports teams than for musical innovation, Pittsburgh is the birthplace and first musical incubator or home to bandleader-vocalist Billy Eckstine; pianists Erroll Garner, Earl "Fatha" Hines, and Ahmad Jamal; drummers Art Blakey, Kenny Clarke, and Jeff "Tain" Watts; and bassist Ray Brown.