Munich 2024

“MBL always sounds great at shows” is an axiom so often repeated that it could serve as an audiophile mantra, but it accurately describes the experience of hearing a full-range, air-filled presentation that, in Munich, was open, alive, and just plain fabulous.

Bad me. For the past two or three years, knowing that it would run too late, I’ve begged off the evening Göbel press dinner / factory visit. From what I understand, it was my loss. According to Adam Mokrzycki, the mastermind of the Warsaw Audio Show, Oliver Göbel’s factory set-up is among the most impressive he’s ever heard. I stand chastised, Oliver and Adam.

Less than a week after visiting the Innuos factory in Portugal—report and video forthcoming—I had the opportunity to audition their products again in Munich. This time, the speakers were more full-range and superior in quality, and the associated electronics all top-level.

Time and again at AXPONA and Munich, I’ve seemed to play tag with Robert Harley and Tom Martin of TAS. In the Tidal room, my appointment followed theirs; at the Ideon press conference and Peter McGrath's CH Precision / Wilson demos, Tom and I sat close to each other. Clearly, we’re drawn to the same quality gear.

Zeiler Audio’s Ralf Zeiler took a stellar rig to AXPONA. I was very curious to hear his room at High End Munich.

The electronics of Borg.Audio’s Christian Gunther look like they're straight off the bridge of the Starship Enterprise. With their retro-futuristic visual style, you’re bound to either love or hate them. Though I didn’t hear them at Gunther’s static display, I’m already in the first camp.

Big components need a big room and a big man to explain it. Nick Döhmann talked turkey and then some regarding his new Döhmann Helix One Mk3 turntable ($70,000) with a new 10.5” Supatrac Nighthawk tonearm (£12,500), and Air Tight Opus 1 cartridge.