Almost every audiophile, whether hobbyist or professional, has taken a stab at building loudspeakers. Combine the fundamentals of cabinetmaking with some basic electronic theory, connect a few good drivers to a well-designed crossover network, and you're on your way to pretty good sound. And now, with widely available resources like crossover design software and high-quality prefabricated cabinets, the task is easier than it's ever been.
Is there a computer in your audio future? <A HREF="http://www.meridian-audio.com/">Meridian</A> thinks so. An expensive new flagship disc player hints at things to come at more affordable prices. Working at the far edge of the digital playback frontier, the UK company has just announced its <A HREF="http://www.meridian-audio.com/p_800s.htm">800 Reference</A>, a new combination CD/DVD player, built like a computer, that takes digital audio and video playback to a new level. The player "sets the bar for DVD and CD reproduction," according to a June 16 press release.
The world's third largest music company has thrown its massive weight behind Internet audio. On June 10, EMI Recorded Music, a division of <A HREF="http://www.emigroup.com/">EMI Group Plc</A>, announced a five-year licensing agreement with Reston, Virginia-based <A HREF="http://www.musicmaker.com/">Musicmaker.com</A>, a major custom CD compilation service and digital download site. EMI has not simply made its enormous catalog available to the service---it has also bought into Musicmaker.com with a 50% equity stake.
Better late than never. <A HREF="http://www.aol.com/">America Online</A> has finally leaped into the Internet music business with its recent purchase of San Francisco-based <A HREF="http://www.spinner.com/">Spinner Networks</A>, and <A HREF="http://www.nullsoft.com/">Nullsoft</A> of Sedona, Arizona. The combined deals, which were announced on June 1, cost AOL $400 million in company stock.
The mid-20th century was a time of tremendous political and social upheaval, technological advancement, and artistic innovation. Jazz---an American invention---is arguably the greatest single development in the history of modern music. Most of its pioneers are gone now, but their legacy lives on in their recordings---and in photographs.
S<I>tereophile</I> editor John Atkinson---arguably the high-end audio publishing industry's single most important figure, and certainly its intellectual nexus---has seen it all in his 23 years in the high-end audio industry. At HI-FI '99 in Chicago, <A HREF="http://www.audiocafe.com/">Audiocafe.com</A>'s Andrew Keen was able to pull JA away from his busy schedule for an in-depth interview about his views on the industry's current state of affairs---and on what's just over the horizon.
Radio broadcasts are still among the most useful resources for finding new music. They are also among the most frustrating. It's a rare occurrence anymore for announcers to tell you the name of a song and who performed it. Often, if you really want to know, you have to call the station and ask. If you're really lucky, someone might be willing to answer your question.
C<A HREF="http://www.cello-us.com/">ello Music and Film Systems</A> is not merely one of the world's most prestigious names in audio and video. This week, a plush restaurant is opening at the company's new headquarters at 53 East 77th Street (212 517-1200) on Manhattan’s Upper East Side. Cello, as the bar/restaurant/garden is appropriately named, will serve dinner by invitation only until mid-June, when it will be opened to the public, according to Florence Fabricant in the May 19 edition of the <A HREF="http://www.nytimes.com/"><I>New York Times</I></A>.
Houston, Texas-based <A HREF="http://www.astrojams.com/">AstroJams</A> is back online with Grateful Dead MP3s. The site <A HREF="http://www.stereophile.com/news/10430/">shut down</A> its offerings of Grateful Dead and Jerry Garcia Band downloads after receiving a cease-and-desist order from attorneys for Grateful Dead Productions in April. At issue was the site's use of advertising to generate revenue. GDP claims the sole legal right to commercial benefits stemming from the use of the band's music and logos, but had "<A HREF="http://www.stereophile.com/news/10440/">never objected</A>" to the free sharing of music in the Dead tradition, according to Dennis McNally of GDP's publicity department.
The MP3 digital music format continues to gain momentum. Only two weeks ago, Thomson S.A., the international electronics conglomerate (parent of RCA and ProScan), <A HREF="http://www.stereophile.com/news/10436/">announced</A> a 20% investment in <A HREF="http://www.musicmatch.com/">MusicMatch, Inc.</A>, the San Diego, California-based maker of management software for the upstart format. Last week Thomson took a further radical stance by announcing RCA's own MP3 player, the Lyra, to a gathering of more than 400 dealers at the Mandalay Bay Resort in Las Vegas.