Barry Willis

What a year. <I>Stereophile</I>.com ran hundreds of stories in 1998, covering events big and small in the intersecting realms of business, publishing, technology, and music---with some irresistible oddities thrown in here and there as journalistic spice. It's overwhelming to look back over <I>Stereophile</I>'s first full year of online publishing and see exactly how much has happened. We've gone far, and sometimes wide, to bring you the news from an audiophile perspective.

Really Big Hi-Fi came to live with me for a couple of months this past spring in the form of a pair of Tannoy Churchill loudspeakers. They were trucked directly to San Rafael, California from Kitchener, Ontario, in flight cases so bulky they could double as coffins for NFL offensive linemen. Once ensconced <I>chez moi</I>, the Tannoy dreadnoughts provoked bewilderment, alarm, curiosity, envy, admiration, awe, and amazement in all who heard and saw them.

The holiday retailing picture looks promising, according to several recent reports. Both the <A HREF="http://www.cemacity.org/">Consumer Electronics Manufacturers Association</A> and the <A HREF="http://www.riaa.com/">Recording Industry Association of America</A> were predicting up seasons after mid-year numbers came in higher than expected. Overall, retail sales were up 0.6% in November, reported the <A HREF="http://www.wsj.com/"><I>Wall Street Journal</I></A> on Monday, December 14.

Among loudspeaker designers, Franco Serblin enjoys an enviable reputation for beautiful creations and meticulous craftsmanship. Until recently, Sonus Faber's resident genius had confined himself to minimonitors with simple crossover networks, such as the Concerto, a <I>Stereophile</I> Class B Recommended Component.

Four years after its first unsuccessful foray into the American consumer marketplace, <A HREF="http://www.sel.cony.com/">Sony</A>'s MiniDisc appears finally to be winning serious numbers of converts. Several large-scale retailers, including Best Buy, Circuit City, Service Merchandise, and (soon) Sears department stores, have dedicated MiniDisc displays, with home recorders, portable players, and blank discs available individually or as a package deal. The displays were built with Sony's support, according to Mike Viken, senior VP for Sony's personal audio/video marketing division.

One might think that the publisher of "The Largest Marketplace in the World for Audiophile Equipment" would have a vested interest in encouraging trading activity among his readers. One would think that such a publisher might take a neutral stance regarding fluctuations in the world market for used equipment. One would think that he would credit his readers with sufficient intelligence to decide for themselves whether any specific purchase, sale, or trade was a good deal.

In the age before recordings, music was a service business. Composers wrote for their patrons, and musicians performed for money. In the days since Edison's inventions, music has become a commodity business in which record companies stockpile large inventories and attempt to move them into the market of music lovers through a dense network of distributors and retailers. For established artists, the service aspect of music---playing for pay---now exists primarily to support the commodity business. For developing artists, public performance is a form of self-promotion to aid the search for a recording contract.