Sam Tellig

Benchmark DAC1 Pre USB D/A headphone amplifier

Most of this column is dedicated to two hi-fi products for the masses—not from Lvov, via Vladimir Lamm, of Lamm Industries; or from Leningrad, via Victor Khomenko, of Balanced Audio Technologies; nor from any other Soviet-born audio hero. (Neither Vladimir nor Victor is on the list of "Name of Russia" contenders for greatest Russian of all time.) Nor from any consumer audio company, but from the world of professional audio. An Iron Curtain almost separates the two.
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Monitor Audio R952MD loudspeaker

So far, as part of my quest to find good affordable box loudspeakers, I have reviewed 16 models, in the August, October, and November 1987 issues of <I>Stereophile</I> (Vol.10 Nos.5, 7, &amp; 8). This fourth group of loudspeakers expands the price range covered, down to $329/pair and up to $1349/pair, and includes one model from California (Nelson-Reed), one from Canada (Paradigm), and one, Monitor Audio's "flagship," the R952MD, from the UK.

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Ray Samuels Audio Emmeline The Hornet headphone amplifier

I've been a little remiss in writing about one of the best tools for travel I've experienced recently: Ray Samuels Audio's Emmeline The Hornet ($350), a tiny (3" L by 2" W by 1" H) rechargeable portable headphone amplifier. I tend to travel with my <A HREF="http://www.stereophile.com/mediaservers/934">iPod</A&gt; packed with hi-rez music files and a pair of low-impedance headphones. That's not a marriage made in heaven, so I also need a headphone amplifier. Over the years, portable headphone amps have gotten better and better while getting smaller and smaller. The Hornet is the smallest I've discovered so far and is my current favorite.

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