Richard Lehnert

<B>WAGNER: <I>Siegfried</I></B><BR> Teldec 4509-94193-2 (4 CDs only). TT: 4:00:09<BR> <B>WAGNER: <I>G&#246;tterd&#228;mmerung</I></B><BR> Teldec 4509-94194-2 (4 CDs only). TT: 4:27:03<BR> Siegfried Jerusalem, Siegfried; Anne Evans, Br&#252;nnhilde; John Tomlinson, Wanderer; G&#252;nter von Kannen, Alberich; Graham Clark, Mime; Philip Kang, Fafner, Hagen; Bodo Brinkmann, Gunther; Waltraud Meier, Waltraute; Birgitta Svend&#233;n, Erda, First Norn; Eva-Maria Bundschuh, Gutrune; Hilde Leidland, Forest Bird, Woglinde; others; 1991 Bayreuth Festival Orchestra & Chorus, Daniel Barenboim<BR> <I>Both:</I> John Mordler, prod.; Gernot R. Westh&#228;user, eng. DDD.

<B>TERRY EVANS: <I>Blues for Thought</I></B><BR> PointBlank/Charisma/Virgin 39064 2 (CD only). Ry Cooder, prod.; Mark Ettel, eng. AAD? TT: 49:18

<B>ZAPPA: <I>The Yellow Shark</I></B><BR> Ensemble Modern; Peter Rundel, Frank Zappa, conductors<BR> Barking Pumpkin R2 71600 (CD only). Frank Zappa, prod.; Spencer Chrislu, Harry Andronis, Dave Dondorf, engs.; Todd Yvega, Synclavier asst. DDD. TT: 72:00

When I suggested to editor John Atkinson that the subject of my first "Building A Library" be Wagner's <I>Tannh&#228;user</I>, furrows ploughed his boyish brow. "Why such <I>minor</I> Wagner? Why not the <I>Ring</I>?"

Why had a high-end hi-fi magazine felt the need to produce a classical <I>LP</I> when the thrust of real record companies in 1989 is almost exclusively toward CD and cassette? Why did the magazine's editors think they had a better chance than most experienced professional engineers in making a record with audiophile sound quality? Were they guilty of <I>hubris</I> in thinking that the many years between them spent practicing the profession of critic would qualify them as record producers?