Stephen Mejias

Floods: Transmission

I think it's time to talk about Floods' <i>Transmission</i>, as the album is now almost a year old. It was released on August 8, 2008. I know this album very well because I'm one of Floods' two band members. I played a lot of guitar for <i>Transmission</i> and even sang a little bit, while my good friend, Brother Todd, handled the synths, programming, and editing. We shared arrangement duties and we never fought about anything, I swear.

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Wye Oak

Wye Oak is a sort of American folk duo. Andy Stack plays drums and keys (at the same time), while Jenn Wasner sings and absolutely wails on the guitar. This is a video for their song, "Please Concrete," from their 2008 debut <i>If Children</i>.

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Fiery Furnaces Friday

Hey everybody! As we like to say around here in the office, it's "Happy Friday!" For alliterative purposes, let's call it "Fiery Furnaces Friday." <a href="http://www.thefieryfurnaces.com/site/">The Fiery Furnaces</a> have something up their sleeve, and I don't know what it's all about, but I'm betting that's it's good. I bet there are a lot of words involved. But, perhaps, no sound. A lot of alliteration, too. The Fiery Furnaces are good at that.

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Hegel Music Systems

Norway's Hegel Music Systems has made its way to the US market. I met Hegel and the company's charming founder, Bent Holter, at the <a href=" http://blog.stereophile.com/ces2007/010907set/">2007 Consumer Electronics Show</a> and then again in Las Vegas during <a href=" http://blog.stereophile.com/ces2008/011208top/">the following year</a>. On both occasions, I had a lot of fun listening to music and learning about Holter's designs. As I wrote last year, I was instantly attracted to the designer's combination of tech-talk and passion for music. The guy is at once serious and totally wacky.

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One for Thursday

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Kokomo Wednesday

On the train this morning, a pretty girl sitting directly in front of me, with a large purse in her lap, and connected to it, an iPod. Earbuds to her pretty, little ears letting loose the music, the most appalling of all songs ever to hit the Top 40: The Beach Boys' "Kokomo."

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