Stephen Mejias

Saturday, May 14, 12–6pm: Goodwin’s High End (899 Main Street, Waltham, MA) will host the public world premiere of the Magico Q3 loudspeaker, sibling to the Q5, which was recently reviewed by Michael Fremer. During the evening, Magico’s Alon Wolf will provide a demonstration and discussion of the Q3. For more info and to RSVP, call (781) 893-9000.

Sunday, May 1, marked John Atkinson’s 25th anniversary as editor of Stereophile&#151an outstanding and admirable accomplishment, and one increasingly rare in this fast-paced, ever-changing modern world.

John celebrated in typical fashion: He didn’t mention the achievement to anyone, but kept his head down, eyes buried in a great pile of ink-stained proofs, as we raced to ship our July 2011 issue to pre-press. Such effort and diligence should come as no surprise: It was John who transformed Stereophile, once a rough and rogue ’zine abiding by no particular publishing schedule, into the professional, dependable, influential magazine it is today.

I can’t imagine anyone working as hard or as purposefully as my boss, John Atkinson. Each day is an honor. The man sets a high and excellent example: I want to be just like him.

Congratulations, John! Enjoy that beer tonight. Or, uh, that tutti-frutti martini thing, whichever you prefer. After 25 years of service, I guess you’re allowed to drink whatever you want.

My review of Helado Negro’s Canta Lechuza will appear in our June issue, and the album hits stores on May 10th, but you can listen to the hazy, languorous tunes right now on NPR’s First Listen. Helado Negro (Roberto Carlos Lange, son of Ecuadorian immigrants) is interested in sound, texture, color, rhythm, and you can hear all of that stuff swirling around and bubbling about in Canta Lechuza.

Recent open house events at Innovative Audio Video Showrooms have been outstanding: well-attended by curious and passionate audiophiles; featuring beautiful, high-quality gear; showcasing excellent music played back on vinyl, disc, and via computer; and with several industry leaders on hand to provide demonstrations and feed interesting discussion.

(The last time I visited Innovative for one of these events, I stayed far too long and walked out into a man-eating ice storm that nearly shattered my soul, but, even then, it was still worth attending the event.)

So, I’m definitely looking forward to next Wednesday’s event, in honor of Dan D’Agostino and his new Momentum monoblock power amplifiers. Guests will have the opportunity to learn more about D’Agostino and his latest product, while enjoying music in a special environment. Members of Innovative’s staff are friendly, intelligent, knowledgeable, and eager to share their eclectic tastes in music and gear.

Refreshments will be provided, the weather should be decent, it should be a good time. Space is limited, so be sure to reserve your place: (212) 634-4444 or info@iavny.com.

Innovative Audio Video is located at 150 East 58th Street, New York, NY. I hope to see you there.

On Saturday night, after a long day of listening, writing, and chatting, I couldn’t force myself to enjoy another dinner or even have a beer. Things come to a dull end where all systems sound the same, I forget what it is I’m supposed to be listening for, I can’t give the exhibitors and attendees the attention they deserve. So, instead of pushing myself further, I decided to head back to my room and post a few blog entries before packing my bags and going to bed. Earlier in the day, I had already begun to regret my decision to leave the show on Sunday morning: There were rooms I hadn’t visited, people I hadn’t met, songs and stories I hadn’t heard, and now I had run out of time. Nevertheless, as I succumbed to sleep, I could hear myself singing...

Pretty freaking drained at the end of a very long Saturday, I walked into the Capitol Ballroom and was surprised to see a live band&#151from outside the room, I had wondered if the music was being produced by some very fine hi-fi that I had somehow missed. (Funny, huh?)

Even more surprising was to see John Atkinson on stage, playing a smoking blues riff on the fretless bass. Joining JA were John Yurick on piano, Spiral Groove’s Allen Perkins on drums, and show organizer Steve Davis on guitar and vox.

After a few rocking numbers, Balanced Audio Technology’s Geoff Poor strolled up to the mic and let loose a few jazz standards. “This next song requires some audience participation,” Poor said. “It requires you to drink.”

Ready for a beer, JA gave way to Dean Peer on bass, and the band continued to rock and sway, providing the perfect nightcap to a long day.

I enjoyed speaking with Role Audio’s Erol Ricketts, who is proud of his company’s formaldehyde-free designs. After researching the harmful effects of heavy exposure to toxic substances such as formaldehyde, Ricketts decided it would be best for his own health, and for the health of his company, family, and planet, to manufacture a new sort of loudspeaker, one with a small, and environmentally friendly, footprint.

Because Role Audio believes hi-fi should aid in the discovery of new music&#151a philosophy I hold dearly&#151all of the company’s products are named after ships, vessels for discovery. The slim Sampan ($1400/pair) measures just 4” W by 4” D by 37” H, and uses a single 3.5” driver in a transmission line design. Mated to a Peachtree Audio iDecco, the system impressed me with its transparency and solid stereo imaging; these speakers “disappeared” like no others I heard at the show.