Jason Victor Serinus

Octave Audio MRE 220 SE monoblock power amplifier

Tubes, tubes, tubes—how we love to bask in their glow, roll them, and take their second-harmonic distortion into our hearts as if it were a child or a pet. Some may put out so much heat that we have no choice but to open a window, turn on the air conditioning, or listen in the garb of Adam and Eve before that fatal first bite. As they and you age, you can never be sure who's at their best. Tubes, at least, can be replaced, albeit at significant expense...

I haven't reviewed much tube gear, but when I have—Bruce Moore and VTL (in my pre-Stereophile days), Audio Research, and in our September 2022 issue, the towering Octave Jubilee Mono SE tubed pentode push-pull monoblocks—I've been enamored of their sound. I waxed ecstatic about the "captivating beauty" and "heavenly" highs of the Jubilee Mono SEs. I can still recall how gorgeous they sounded; every listen was special.

Hence, my enthusiastic "yes" to a solicitation from John Quick, VP of Sales & Marketing for Dynaudio North America, Octave's North American distributor, to review the smaller MRE 220 SE mono push-pull tube amplifier.

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Baun Audio, Ideon Audio, and JMF Audio

My second press day at Munich High End began with an intimate press conference at the Ideon/Baun loudspeaker booth in Halle 3. Benno Baun Meldgaard, former speaker designer for Gamut, Raidho, and Gryphon, was not on hand to discuss the latest developments in his forthcoming speaker line. I didn’t have time to view the latest prototype of those speakers, which I first encountered at the 2023 Pacific Audiofest, but the first speaker in the Baun line-up is due by the end of 2024. Designed to sit very close to the rear wall, the speakers will range upward in price from about $23,000/pair.
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Fink Team and Epos

Speaker designer Karl-Heinz Fink’s Fink Team recently bought British loudspeaker brand Epos. “We have changed the Epos designs considerably,” Fink told me about the company’s three speaker models. “Epos loudspeakers are less expensive than Fink Team’s, but the engineering is nearly the same as the Fink Team’s.”
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June 2024 Classical/International Record Reviews

Será Una Noche: Otra Noche; Bela Fleck: Rhapsody in Blue; Mahler: Symphony No.3 & R. Strauss: Death and Transfiguration; Maya Beiser × Terry Riley: In C; Schubert: String Quartet No.15 in G major D887 • String Quartet No.8 in B flat major D112; Stravinsky: Pétrouchka & Debussy: Jeux, Prélude à l'après-midi d'un faune.
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Vitus RI-101 Mk.II streaming integrated amplifier

Six years after Hans-Ole Vitus, the founder of Danish company Vitus Audio, visited the United States to premier his first three products at CES 2004, Michael Fremer went gaga over the company's top-line MP-P201 Masterpiece Series phono preamplifier. Thirteen years later, at AXPONA 2023, it was my turn to be blown away, this time by the sound of a $385,000 Vitus Audio top-of-the-line Masterpiece series front-end and amplifiers that sang through price-commensurate Estelon Extreme Mk II loudspeakers.

In between—and not for want of trying—Vitus's presence in these pages has been limited to show reports. It's time to change that.

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Steinway Lyngdorf’s Model S Soundbar and Model C Loudspeaker

Steinway Lyngdorf, the only speaker company that’s allowed to use the Steinway name, compared the sound of its two “new” speakers. The Model S Soundbar is designed for rooms that cannot contain floorstanders. Sold as a complete, full-range on-wall system and usually chosen for custom installs, the Model S contains three AMT tweeters, three midrange drivers, and two woofers. Total amplification power is 1600W, and the specified frequency response is 40Hz–20kHZ –3dB. With machined, solid-aluminum front and back panels, it has MDF frame that contains five acoustically separate chambers. Available in matte black, high gloss black with gold details, or custom finishes, it weighs a substantial 106lb.
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Dynaudio’s new loudspeakers

As it has done in previous years, Dynaudio opted for a huge ground floor foyer area that, in addition to a huge, divided space in which to exhibit new and forthcoming models, offered a large meeting room for distributors and press. Ably assisted by Michael “Mike” Manousselis and John Quick of Dynaudio North America, I spent a dizzying half hour or so receiving an overview of four forthcoming models.
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